And Now For Something Completely Different

It's not every day that I get to share the billing with a member of Monty Python's Flying Circus. In fact, it's never happened before last Saturday and I don't expect it ever will again. But I was truly delighted to take part in the Slightly Foxed Readers' Day at the Art Workers' Guild in Bloomsbury. In the first part of the afternoon, I was interviewed by Ayo Onatade on the subject of Golden Age detective fiction. And in the second part I had the pleasure of listening to Michael Palin, giving a great talk about the contrasts between writing fiction and non-fiction.

Slightly Foxed is an admirable literary quarterly journal that I find to be an unusual and consistently engaging read. I enjoyed taking part in one of their equally enjoyable podcasts earlier this year, which led to an invitation to write a piece for the journal, which will appear before long, and also to take part in the Readers' Day. This is an annual event, although this year the team had to contend with all the complications arising from the pandemic - no easy task. But they did a great job in making sure everything ran smoothly, and the venue, a sumptuous hall in a lovely Georgian building, was ideal for the occasion.

I always prefer, if the opportunity arises, to be interviewed rather than to give a lecture. I therefore suggested that Ayo Onatade would be the perfect interviewer, and despite a pressing commitment which involved an early plane flight from northern Ireland on the day of the event, Ayo kindly agreed. As she said, it's rather strange that we've been friends for the best part of 25 years, but we've never actually done an interview together. It seemed to go very smoothly and I hope we'll be able to do more conversations of this kind in the future.

I was conscious that this particular audience is keen on literature generally and I don't know how many of those attending are crime fans specifically, so we took a general approach to the subject rather than concentrating on minutiae, but the questions were very interesting and the reaction extremely positive. 

As for Michael Palin, I've been a fan of his since his early TV appearances on Do Not Adjust Your Set. When Monty Python began, I watched it right from the start. My parents were rather bemused by the humour, but I loved it and so did my school friends. We'd discuss each show at inordinate length the following day and we knew a lot of the sketches off by heart. Later, I loved Ripping Yarns, co-written by Michael and Terry Jones. 'Golden Gordon', which reminds me of my Dad's football obsessions, is one of my all-time favourite TV shows. So to have the chance to meet Michael (Sir Michael, I should say) was a real joy. And for anyone who wonders whether he is as pleasant to chat to in person as his television persona suggests, the answer is an unequivocal yes.   

The Dagger in the Library

Thursday evening proved to be one of the most enjoyable of my whole writing career. It was the occasion of the CWA Daggers Awards, a glitzy black tie event at the Grange City Hotel in London, and I'll remember it forever because I was fortunate enough to be awarded the CWA Dagger in the Library.

The Dagger in the Library is awarded for a writer's body of work that has brought pleasure to library users, and nominations are submitted by librarians up and down the country. I was delighted to feature on first the longlist, announced in May, and then the shortlist, announced in July. The other authors nominated included such prominent and popular bestsellers as Sophie Hannah, Nicci French, and Peter May. Formidable competition, to put it mildly.

The judging panel is composed exclusively of librarians, and so it was a very special moment when the chair of the panel, Sue Wilkinson, opened the envelope and read out my name. During the past three years, I've been nominated for three other Daggers, and to win on this occasion was a real joy. Exactly ten years have passed since the wonderful night when I won my first Dagger, for best short story, and this was if anything an even more cherishable moment.

There were many other happy moments during the evening, not least the chance to present the Diamond Dagger to Michael Connelly, and Red Herring awards to Ali Karim, Ayo Onatade, David Stuart Davies, and Mike Stotter. It was also grand to spend time with my editors at Head of Zeus and Harper Collins, and with my agent, as well as friends such as Mick Herron and Matthew Booth, and to chat over dinner with the guest speaker, tv scriptwriter Jude Tindall. It was all truly memorable. I've still not quite come down to earth, and I'm certainly feeling very, very fortunate.

Bodies in the Bookshop

I've just received my author copy of Bodies in the Bookshop, edited by L.C. Tyler and Ayo Onatade, and published by Ostara Books in association with Richard Reynolds of Heffers Bookshop, Cambridge, who contributes a foreword. The idea of the book was to pay tribute to independent bookshops everywhere, and also to celebrate Heffers' annual "Bodies in the Bookshop" event.

The concept was that the stories would tackle one of four themes: books, bookshops, Cambridge, or libraries, although as things turned out, libraries do not really feature. Len, Ayo and Richard are three highly respected figures in the British crime writing community, and although I've never managed to attend the Heffers event because of day job commitments, when I was approached quite some time ago with a view to contributing a new story, I was more than happy to come up with an idea.

When time passed with no sign of the book appearing, however, I rewrote my story, and the revised version, called  "Acknowledgments", happily for me, won the CWA Margery Allingham Prize. Then, at a time when I was unsure whether the anthology would come into being, Ostara - an admirable imprint - stepped in. They took over publication, and of course I had to write something fresh. The result was "Lucky Liam", which was inspired by my trip to the North East, and Hartlepool in particular, earlier this year. I'm delighted to see it in print, and my warmest congratulations go to Len, Ayo and Richard. Suffice to say that I suspect they now share my view that producing anthologies is trickier and more time-consuming than it may seem!

The sub-title of the book is "A literary showcase of crime stories from 20 masters of the genre", and I must say that the other authors include many of my favourites, including Peter Lovesey, Andrew Taylor and Simon Brett (all CWA Diamond Dagger winners) along with Christopher Fowler, Chris Ewan, Michelle Spring, Ann Cleeves, Kate Charles and...well the list goes on and on. I'm glad to be in such prestigious company. I've not yet read the other stories, but I'm very much looking forward to doing so.

St Hilda's Crime and Mystery Week-end

St Hilda's Crime and Mystery Week-end is a crime conference with a distinctive and delightful personality which makes it very different from other crime-related events. The setting is St Hilda's College, Oxford, and I'm just back from the twentieth conference, which was, if anything, even more enjoyable than usual. The fact that this week-end is not advertised, has no promotional website, and yet has flourished for two decades, speaks for itself. When people do find out about it, and attend, they tend to love it, and go back year after year. There's no clearer sign of success than that.

The theme this year was "The Present and Future of Crime Fiction" and when I was asked to deliver a paper, I thought I would be very crafty and find a neat way to weave a talk about the Golden Age into the over-arching theme. What I hadn't anticipated was that some other writers would have the same idea - and my talk was on Saturday afternoon, while just before lunch P.D. James herself would be speaking about....the Golden Age.

P.D. James was aptly described by Natasha Cooper, the chair of the conference, as the true Queen of Crime and it was wonderful to see that her audience regarded it as a true privilege to be able to listen to her. And so it was. Fortunately for me, there was no overlap between her topics of mine, and one of the more daunting experiences of my public speaking career (yet a real honour) was to see Baroness James herself sitting in the front row to listen to my paper. I did feel a bit nervous, having foolishly said the previous evening that I feel more confident about speaking in public nowadays than I used to, but I managed to get through to the end without drying up completely. The papers are delivered in pairs, so P.D. James spoke along with Frances Fyfield, while I was paired with Peter Robinson - and it was very good to catch up with him again over the week-end.

The other speakers included Andrew Taylor (talking about C.S. Forester), and Val McDermid, while two after dinner speeches were given by Bernard Knight on the Friday, and Cilla Masters on the Saturday. There was also an extremely interesting panel chaired by Ayo Onatade on the future of crime publishing. The attendees included quite a number of notable writers who weren't actually speaking - a few examples include Frances Brody, Ann Granger, Marjorie Eccles, Kate Ellis, and AK Benedict - while I met several writers whose first books are due to appear shortly. As ever with these events, the combination of catching up with old friends and meeting new people was very pleasurable.

Much of the success of St Hilda's is down to continuity and the sterling efforts of the organisers, Kate Charles and Eileen Roberts, and Natasha Cooper, who chairs quite brilliantly in a calm, efficient and extremely generous style that few if any could match. This trio put a huge amount of work into the event, and their reward is simply that they give a lot of people a great time.If you've never attended St Hilda's, I do recommend it very strongly. The dates for next year are 15-17 August 2014.

St Hilda's

The 18th St Hilda's College Crime and Mystery conference was another triumph for organisers Kate Charles and Eileen Roberts, as well as for Natasha Cooper, who chaired the sessions with the unobtrusive excellence as well as efficiency that seem to come so naturally to her.

I was glad to share a platform with Andrew Taylor, who gave a very good talk about Wilkie Collins - my subject was the British lawyer-author, with special focus on Cyril Hare and Michael Gilbert. Among the highlights of a varied programme, Ayo Onatade gave fascinating insight into the world of the courts, while Val McDermid spoke very interestingly about justice, referring to one of her own excellent thrillers, A Place of Execution. What I didn't know was that the book was inspired by a true crime case - which she learned about from our mutual friend, the true crime expert Douglas Wynn.

As ever, there was the chance to meet pleasant people for the first tme as well as to renew old friendships. I was glad, for instance, to have a chat with Marcia Talley, who is in the foreground in the photo. Marcia is an accomplished American author who is a regular attendee at St Hilda's.

It was a real privilege to be invited to take part, and I'm very grateful to Kate and Eileen for all their hard work. After an excellent but very hectic week, I must admit I was pretty exhausted by the time I was driving home. But it was well worth it.

Lizzie Hayes and Mystery Women

The latest issue of the Mystery Women newsletter is just out, and as usual it is a good read. The tag-line is ‘Promoting Crime Fiction’, and Lizzie Hayes, Ayo Onatade and their colleagues do a wonderful job in the selfless and time-consuming work that they do to spread the news about mysteries they enjoy. Lizzie and Ayo are almost always to be found at crime festivals and they are great company.

I’ve been a member of MW for a number of years – yes, they do allow men to participate! – and I’ve enjoyed participating in a number of their events. A recent example was the panel at the Portico Library in Manchester moderated by Jennifer Palmer. And this week sees two major events associated with MW which I am really looking forward to.

On Wednesday evening, Kate Charles has organised what seems likely to be a super evening of crime talk at a fantastic venue, Ludlow Castle. Amongst those appearing are Andrew Taylor, Deborah Crombie and Laura Wilson. I’m honoured to have been invited to join them.

And then, this coming weekend, we have the annual Crime and Mystery weekend at St Hilda’s College, Oxford. I’ve attended this in the past, although not for a few years, and found it thoroughly agreeable. This year, I’m presenting a paper connected with the weekend’s theme, ‘The wages of sin’. The setting is terrific, the atmosphere is sure to be great; I only hope the rain doesn’t bucket down, for Oxford in the summer sunshine is a truly idyllic place to be.