Harry Devlin is back!

I’m truly thrilled to say that my early Harry Devlin books, set in Liverpool, are now enjoying a new life. They are available as ebooks, in new editions with some very special features that I hope readers will find fascinating. For me, it’s all very exciting. And the books are also being made available again, for those who prefer hard copies, in paperback editions.

Andrews UK, who specialise in ebooks and print on demand editions, have now produced six of the eight titles in this way – the whole series, that is, with the exception at present of Eve of Destruction and the much more recent Waterloo Sunset.

The most notable of the special features is that each book benefits from a brand new introduction by a leading crime writer. I’ve been extraordinarily lucky here – this original material, only available in these editions, comes from some of the most gifted and renowned of modern British writers.

CWA Gold Dagger Winner Frances Fyfield introduces my debut novel, All the Lonely People. Frances reviewed my earliest work in legal magazines (she and I, like Harry, are solicitors) and I have long felt an enormous debt of gratitude to her for her encouragement.

The same is true of Val McDermid, the CWA Diamond Dagger winner who has written a new introduction to the second book in the series, Suspicious Minds. Val reviewed one or two of the early Devlins very favourably, and her generous remarks in this new edition made me glow with pride.

I Remember You, the third book in the series, has an introduction from Margaret Murphy – the current joint winner of the CWA Short Story Dagger. Margaret is not only an old friend, but someone who knows Harry Devlin’s Liverpool  better than most.

Yesterday’s Papers, perhaps my favourite Devlin book, has an introduction from another CWA Diamond Dagger winner, Peter Lovesey. Again, Peter is a superstar of the genre who has supported me generously for many years. He and I share an enthusiasm for classic, twisty plots, and it seemed to me appropriate that this particularly elaborate mystery should include an intro from such a master of the genre.

A third CWA Diamond Dagger winner, Andrew Taylor, kindly wrote the introduction to The Devil in Disguise. This was a book I really enjoyed writing, though I remember being mortified when my original publisher didn’t care for it. As a result, I moved to Hodder, with increased sales as a result. Andrew was a Hodder author too, and we launched this book, and one of his Lydmouth titles, at the same enjoyable event in the late lamented Mysterious Press bookshop in London.

Finally, there is First Cut is the Deepest, with an introduction from Kate Ellis, twice shortlisted for the CWA Short Story Dagger.  This was the last Devlin story I wrote before taking a ten-year break, and it is also the longest and perhaps the most complex entry in the series. Kate, like Margaret, is a Liverpudlian with a deep love for Harry’s home city.

For each book, I have written a detailed new “Making of” feature, along the lines that you find in DVDs. There is also a biographical note, and an appreciation of my work which has most generously been contributed by former CWA Chair, Michael Jecks.

Each book includes a “preview chapter” for the next book in the sequence, a device that I hope will encourage people who dip into the series for the first time to return to it.

As we all know, the world of publishing is changing rapidly. With all change, there are advantages and drawbacks. But I am very optimistic that for writers like myself, who do not have massive publicity teams or budgets at their disposal, that digital publishing will help to make the books available to a new and wider readership. We shall see. One thing is for sure: it’s enormously gratifying to see these early books given a fresh life.

I can’t close this post without expressing my profound gratitude to Frances, Val, Margaret, Peter, Andrew, Kate and Michael, all of whom offered their contributions without the slightest degree of arm-twisting! (The same is true of CWA Gold Dagger winner Ann Cleeves, whose introduction to Eve of Destruction is at present unfortunately unavailable because of the frustrating and unhelpful attitude of the rights owner.) Generous people, as well as terrific writers, and I am proud to call them friends.

Time and the Detectives

Time management is an important consideration for authors of mystery series, even though we don’t always pay it enough attention when our series characters start out on their fictional journeys. I’m not talking here about time management in the sense of how does one find the time to write the books, but rather in the sense of connecting the chronology of the series to real time.

The classic illustration of the problem is the obituary of Hercule Poirot in The New York Times – ‘by conventional reckoning, Poirot must have been over 130 years old when he solved his last case’). Similarly, Ruth Rendell’s Inspector Wexford was already a senior cop when his first case was published in 1964. It’s sometimes said that authors should start out with young detectives – but ageism isn’t a great solution to the problem! We need and want senior sleuths to figure in series!

So what is an author to do? My own method – I don’t for a moment suggest it’s perfect, but it’s the best I can do – is to elide time somewhat. An example in the Harry Devlin series is the way I dealt with the passage of time between the events of First Cut is the Deepest, and those of Waterloo Sunset. I acknowledge very specifically the passage of time in Harry’s life, and in the redevelopment of Liverpool. But I reduced (in effect) the length of the interval between books. Harry was 32 when All the Lonely People was published; that was my age when I started writing the manuscript. Suffice to say that he’s aged much better than me.

So far, time pressures haven’t been acute in the Lake District Mysteries. But I am planning to deal with them in much the same way. This is fiction, after all. Of course, I’d be interested in the views of others on this tricky subject – it’s one where, I suspect, the right answer is that there is no right answer.

Bad Blood

The overlapping territory between stories with a sci-fi or paranormal element and crime fiction is one that interests me a good deal. I mentioned a while back the vampiric elements that I introduced into the seventh Harry Devlin novel, First Cut is the Deepest – although the murder mystery there had a solution based entirely in the rational world.

But sometimes stories about murder wander away from the established science and into realms of speculative fiction. An example is ‘Bad Blood’, an episode from ‘The X Files’ that I’ve just watched. It’s a story set mainly in a tiny community called Chaney, somewhere in Texas. Half a dozen cattle have been killed and exsanguinated, and when murder is done, Mulder and Scully are called in. But is there a vampire at work, or do the crimes have a different explanation?

Matters are complicated by the fact that we know from the start that Mulder has killed a young man, whom he thought was a vampire, and the events leading up to this are seen first through Scully’s eyes and then through Mulder’s. After the flashbacks, the story moves forward, and it becomes apparent that all in Chaney is not as it seems.

There are several elements in this story that have links with crime fiction – there are some neat clues, and one part of the plot reminded me of a book by Val McDermid. This is not, in the end, so much a crime story as an exercise in fantasy fiction. But it’s a pretty good story, cleverly told.

Bram Stoker

I’ve never been a regular reader of vampire books or watcher of vampire films, but when I read Dracula for the first time about twelve years ago, I enjoyed it much more than I expected. The first half of the book in particular is very gripping. And, of course, it appealed to my sense of humour that the Count had a copy of The Law List in his library, and that the hero, Jonathan Harker, is a lawyer himself.

When I came to write the seventh Harry Devlin novel, First Cut is the Deepest, which involves the apparent serial killing of Liverpool lawyers, and the stalking of Harry himself, I used various quotes from Dracula and references to the story to give my tale further texture. It was a book I enjoyed writing, and it was well received at the time, so I am very sorry that it is currently not in print.

When I was in Oxford for the St Hilda’s week-end, I was sorry to see that Waterfield’s, a nice second hand bookshop on the High, is closing down. They were holding a book sale and I picked up several titles, including a shortish book about Stoker by Andrew Maunder.

I found it enjoyable and interesting. Stoker worked from time to time on the fringes of our genre, and he claimed a strong friendship with Arthur Conan Doyle. The Mystery of the Sea involves cryptography, and it’s a tad surprising that it’s so little known. And Stoker is one of those writers who has produced at least one completely unexpected title – Duties of the Clerks of Petty Sessions in Ireland. Bet that one never troubled the best-seller lists.