Thorne: Sleepyhead and Wallander: The Joker

Thorne: Sleepyhead reached a very grim conclusion in the third and final episode. I thought this was a very good new series, with David Morrissey leading a dynamic cast. The pace seldom faltered, even if there were occasional over the top moments. The finale wss deeply depressing, not my idea of cheery Sunday evening viewing, but even so, I'd guess Mark Billingham will be very pleased with the outcome, and so would I be in his shoes.

I've been catching up on one or two episodes from the first Swedish TV version of Wallander, the one featuring his daughter Linda, very well played by the late Johanna Salstrom. Ola Rapace is also excellent as her colleague Stefan. I'd missed The Joker the first time around, but I read good things about it, and they were certainly justified.

The story is cleverly plotted. I thought I'd figured out the twist early on, but the script had a good trick in store. This was a story about the murder of a woman outside her failing restaurant. The reason for her death can be traced back to events some years before at another restaurant, called The Joker.

Again this was a bleak story, if not quite as dark as Thorne. Much as I enjoyed both shows, I found myself longing for a bit of light relief by the end of them, so I may delve back into the Golden Age now. Apologies, by the way, for delays in responding to comments etc. I'm experiencing a few pc problems which are slowing me down at present.

Wallander - The Secret

I have caught up with the final episode of the Swedish TV series about Henning Mankell’s Kurt Wallander. This was The Secret, and it has to rank as about the darkest episode in a television cop series that I’ve ever seen. Not easy viewing, but impressively done.

The story involves the abduction and murder of an 11 year old boy. Early scenes also detail the abuse of another young boy. Wallander and his team soon identify a prime suspect, but he is found murdered. By this time, Stefan (brilliantly played by Ola Rapace) has become very personally involved in the case. He knows the dead boy’s father, but this does not seem to explain the depth of his rage about the crime.

A retired cop who was associated with the dead suspect comes into the frame. He appears to be a sinister character, but it turns out that he has a track record of pursuing paedophiles with considerable success. However, there are further twists in the story before the traumatic final moments of the story.

I found this series – and I watched almost all of the 13 episodes, something I don’t often manage to do – exceptionally good viewing. At its best, it was outstanding, and even the weaker story-lines were competently done. Krister Henriksson was superb as Wallander, but part of the strength of the series lay in the quality of the supporting cast, notably Rapace and Johanna Sallstrom as Linda Wallander. Others have written about the sad death of Sallstrom after the series was filmed. Suffice to say that hers is a tragic story, and a great loss.

Bloodline

BBC 4 has resumed its series of the Swedish version of Wallander, starring gruff but appealing Krister Henriksson as the detective, and Johanna Sallstrom as his daughter. I’m not sure why the series, shown to considerable acclaim (not least among crime bloggers!) earlier this year, was interrupted – but then, the scheduling of television programmes is an arcane process, as difficult to fathom as the Duckworth-Lewis method of calculating victory targets in a rain-affected cricket match.

The latest episode, Bloodline, opens with a man and a woman quarrelling on board a boat. The man storms off, but some time later, a masked individual comes on board, and brutally murders the woman. It’s a dramatic beginning, very much in the style we associate with Wallander.

When the police investigate, their inquiries soon take them to a group of people at a farm commune. Needless to say, there are various secrets to be uncovered, and the mystery is satisfyingly done. As always, however, the interplay of the characters is the great strength of the show. The relationship between Wallander and his daughter is very well done indeed. In fact, I’m not sure if I can think of any detective-and-daughter relationship in the genre that is more compelling.