The Dagger in the Library

Thursday evening proved to be one of the most enjoyable of my whole writing career. It was the occasion of the CWA Daggers Awards, a glitzy black tie event at the Grange City Hotel in London, and I'll remember it forever because I was fortunate enough to be awarded the CWA Dagger in the Library.

The Dagger in the Library is awarded for a writer's body of work that has brought pleasure to library users, and nominations are submitted by librarians up and down the country. I was delighted to feature on first the longlist, announced in May, and then the shortlist, announced in July. The other authors nominated included such prominent and popular bestsellers as Sophie Hannah, Nicci French, and Peter May. Formidable competition, to put it mildly.

The judging panel is composed exclusively of librarians, and so it was a very special moment when the chair of the panel, Sue Wilkinson, opened the envelope and read out my name. During the past three years, I've been nominated for three other Daggers, and to win on this occasion was a real joy. Exactly ten years have passed since the wonderful night when I won my first Dagger, for best short story, and this was if anything an even more cherishable moment.

There were many other happy moments during the evening, not least the chance to present the Diamond Dagger to Michael Connelly, and Red Herring awards to Ali Karim, Ayo Onatade, David Stuart Davies, and Mike Stotter. It was also grand to spend time with my editors at Head of Zeus and Harper Collins, and with my agent, as well as friends such as Mick Herron and Matthew Booth, and to chat over dinner with the guest speaker, tv scriptwriter Jude Tindall. It was all truly memorable. I've still not quite come down to earth, and I'm certainly feeling very, very fortunate.

Macavity and Mystery

I'm back from an exhilarating and unforgettable Bouchercon in New Orleans - wow, what a city, what a convention! So many highlights, so many wonderful experiences. Among them was receiving from Mystery Readers International the Macavity award for "Best Mystery-related Nonfiction" for The Golden Age of Murder. This is the 30th year of the Macavity awards, and previous winners in this particular category include such stars as Harry Keating and P.D. James. The very first winner, back in 1987, was 1001 Midnights by Bill Pronzini and Marcia Muller., a hefty volume which I've consulted countless times.

The above photo, taken just after the ceremony, shows me with Sharyn Rosenblum, Publicity Director of William Morrow, part of the Harper Collins group.I last had the pleasure of meeting Sharyn on another utterly memorable evening, back in April, when I received the Edgar award. In all, The Golden Age of Murder has now received four awards, three of them in the United States - an achievement that I'd have found impossible to believe had anyone predicted it during those long, long years when I was writing and revising the book, and wondering if anyone would ever want to read it, let alone publish it.

But let's begin at the beginning. I flew out from Manchester to Atlanta, and after boarding the plane to New Orleans, who else did I see taking their seats but two old mates, Ali Karim and Mike Stotter. We managed to get seats together, and on arrival at New Orleans airport discovered that, in this most extraordinary of cities, it was cheaper for the three of us to take a stretch limo to our hotel than to travel by airport shuttle or taxi. Well, it would've been rude not to seize such an opportunity, so we made our entrance in suitably surreal fashion.

I'd arrived in good time, so there was a chance to pack in some sightseeing before the convention began. I revisited the fabulous French Quarter, visited the cathedral (photo at the end of this post) and also, on the recommendation of several friends, toured the Audobon Aquarium, which is really impressive (sharks, piranhas, jellyfish et al - see below photos), before dining with Peter Rozovsky, of the Detectives Beyond Borders blog, my moderator for a panel first thing on Thursday morning. Then followed a fun party away from the convention centre, hosted by Kristopher Zgorski of BOLO Books. And, thank goodness, I managed not to oversleep and miss my panel.

Even at 9 am, there was a packed audience. Fellow panellists included Gary Phillips, and we were delighted to see the legendary Walter Mosley in the audience. Our subject was pulp fiction, but Peter was happy for me to talk about the magazine stories of that great British writer Michael Gilbert. About 1900 people were registered for the convention, and it was good to spend time with a number of old friends before the opening ceremonies, when the Macavity award was announced: here's a shot Ali took of me with fellow nominee from Norway, Jorn Lier Horst, and Mike.

The rest of the convention passed in a happy whirl, which included breakfast with super-fans Bill and Toby Gottfried, dinner with Janet Hutchings of Ellery Queen's Mystery Magazine (just celebrating its 70th birthday) and guests including Hilary Davidson, Laura Benedict, and Charlaine Harris - see the photo below. Other highlights included coffee with Shelly Dickson Carr (grand-daughter of the locked room king John), lunch with Shawn Reilly Simmons, now a crime anthologist as well as a rising star novelist, the Anthony Awards, for which I was shortlisted in a nonfiction category won by Val McDermid, and dinner with Steve Steinbock of EQMM, author and actor Kathryn Leigh Scott, and John Pugmire of Locked Room International. John has involved me in an exciting new publication, of which more news in due course.

I moderated a second panel, on Golden Age mysteries, first thing on Saturday morning. Even in a large room, it was standing room only, a sure sign of the enthusiasm for GA fiction - especially given the competing attractions of the city and various other panels running at the same time. Cathy Ace, Ragnar Jonasson, Charlaine Harris, Claire Booth, and G.M. Malliet provided the audience with pithy and witty insights into the subject, and the only sad thing was that we couldn't go on for another hour. Thanks to Art Scott, whose The Art of Robert McGinnis I've just started reading, for this photo: from left to right - Ragnar, Charlaine, Gin, Claire, Cathy, and me.

There was more, much more, that one could say about such an exciting few days, but suffice to say that, if you're a crime fan who has not, so far, attended a major crime convention, then I think it's almost certain that you'd enjoy yourself hugely if you did so. And fellow convention-goers will, I'm sure, agree that the benefits of attending are cumulative - the more you do, the more you get out of them. It's now 26 years since I first attended a Bouchercon, at London in 1990, before I was even a published crime writer. A lot of water has flowed under the bridge since then, but I'm profoundly glad to belong to such a generous and giving community.  .

Festival Time

It's a sign of just how good a time I had at the Harrogate Crime Festival this past week-end that on Friday I completely forgot to post the Forgotten Book piece that I'd written in advance of my trip. Ooops. It will now appear this coming Friday instead! But I really did have a good time at Harrogate, which was looking at its best in the sun. It's a lovely setting for a festival.

I very much enjoyed catching up at length with James, my agent, and discussing with him a wide variety of projects that are in the pipeline for the next twelve months. We also had the chance to reflect on all that has happened in my writing career over the past year - it's been the most exciting time of my writing life. I was also able to give him an update on my latest novel-in-progress. My fiction writing has inevitably taken a back seat lately, but I'm totally committed to it, and although the new novel won't be ready for publication in 2017, it is at least moving forward. Next year will, though, see the publication of The Story of Classic Crime in 100 Books and several anthologies that I've edited.

I had the pleasure of meeting Karen Robinson of the Sunday Times Crime Club for the first time, and of attending parties held by Harper Collins and Bonnier. For the annual quiz masterminded by Val McDermid and Mark Billingham, I was invited to join the Little, Brown team, which also included Stav Sherez, and we came second - not quite top of the pile, but still a good result and a very enjoyable evening.

There was also the chance to have dinner with the likes of Barry Forshaw and David Stuart Davies, as well as catching up with a whole host of old friends, such as Ali Karim Alison Joseph and Leigh Russell, all of whom are pictured above outside the Old Swan Hotel, Ricki Thomas, Felix Francis, and many more. The fact the hotel was the place to which Agatha Christie retreated during her notorious disappearance does give the festival an added piquancy. Harrogate's a different sort of event from those wonderful week-ends Crimefest and St Hilda's (I'm very much looking forward to the latter, in mid-August) but has a distinctive atmosphere.  And the fantastic weather was a bonus..

Crimefest 2015

I'm just back from Crimefest, which was - as always - brilliantly organised by Adrian, Myles, Donna and their friendly and hard-working team. Twenty-five years have passed since I attended my first crime convention, the London Bouchercon of 1990, and during that time conventions have become an important part of the literary landscape - unquestionably a Good Thing.

Adrian and company kindly agreed that the Forgotten Authors' panel this year should be themed around The Golden Age of Murder,and I had a wonderful group of friends to help me in celebrating the book's UK publication (celebration enhanced over the course of the convention by terrific reviews from The Daily Mail, The Spectator, Bookbag, and Crime Fiction Lover). Dolores Gordon-Smith, Aline Templeton, John Curran and this year's CWA Diamond Dagger winner, Catherine Aird all came up with all manner of insights for the audience, and it was sheer pleasure to moderate the panel (the photo was taken by Karen Meek, whose Eurocrime blog is required reading for fans.)

That evening, I had dinner with Catherine and a few friends - a memorable occasion. She is one of those authors I admired long before I met her, and when we did meet, I found, as I have often done with major authors, that she is great company as well as a fine detective novelist. I continue to hope very much that she will publish her long-awaited biography of Josephine Tey, about whom she spoke rather movingly.

My second panel, moderated by John Harvey (whose "Fedora" is one of the best crime short stories of the past decade), tacked the subject of the short story. Andrew Taylor intrigued me by talking about his ghost story, which is a Kindle single,, and I was delighted to meet Robert Olen Butler, a Pulitzer Prize winning author who read out a very short but striking example of his work. The other panellist was Christine Poulson, one of Britain's most under-rated crime writers, and author of several highly distinctive short stories. Other events of note included Sophie Hannah and Matthew Prichard talking about The Monogram Murders, and Lee Child interviewing the legendary Maj Sjowall.

The banquet was smoothly run, and I was very lucky with all my dining companions, who included Catherine Aird, Sheila Mitchell (widow of Harry Keating) and James Runcie, author of the highly successful Grantchester books, who proved to be a witty toastmaster. I'd never met James before, but soon discovered he was a fellow Manchester City fan; after that, it was a struggle not to keep talking football, but somehow we managed it.

I met some other pleasant people for the first time, and as ever it was good to catch up with old friends. The latter include Ali Karim, pictured above with The Golden Age of Murder. Ali is one of the most entertaining companions one could wish to have, and I am really sorry that I shall not be with him at Bouchercon at Raleigh in October, where he will make a fabulous job of his far from easy task as programming chair. I also had the chance to talk to the publishers of the CWA fiction anthology and non-fiction anthology, as well as to catch up with my own publisher, Susie Dunlop of Allison & Busby, who hosted a drinks party during the week-end. It was lovely to see her again, and I'm so glad she's pleased with the next Lake District Mystery, The Dungeon House. All in all, a terrific week-end which I shall long remember.




.

Crimefest 2013 - part one

I've just returned from Crimefest 2013 in Bristol, a terrific event as usual. In fact, I feel that Crimefest is getting better each year. I know a number of people who told me they wanted to attend but were too late to book a place, and this is a sign of the convention's increasing popularity. It really does strike a nice balance between providing opportunities to socialise and providing panels, interviews and other events of genuine interest. There was a lot going on, and not for the first time I found myself, on leaving, amazed that I'd been so busy yet had still not managed to have a chat with a number of friends and fellow attendees. Next time!

I was lucky enough to be involved with three separate panels, two of them as participating moderator, and the first of these was Forgotten Authors, an event which is now a regular feature of the first afternoon of Crimefest. My fellow panellists were all very knowledgable and enthusiastic about books of the past. Moderating a group comprising John Curran (who chose two of my favourites, Dorothy Bowers and Patrick Quentin, to talk about) , Ruth Dudley Edwards (who chose two more, Cyril Hare and Edmund Crispin), Zoe Sharp and Adrian Magson was the easiest job in the world. The only snag with Forgotten Authors is that there is so much to talk about, we really need several hours. But the room was packed out, and people left with many suggestions about old books to seek out. There's always a feelgood factor about this panel, a sign of the rise in appreciation of books that vanished from the shelves years ago which remain worth reading to this day. I'm pleased to say the organisers have asked me to moderate the same panel again next year.

After a short break it was time for the annual pub quiz. I joined a team which included John, Zoe, Kate Ellis and my former editor at Hodder, Kate Lyall Grant. But it's also good to meet people for the first time, and these included the highly successful American author, Dorothy Cannell, with whom I was also due to be on another panel (at which she came up with an idea which fascinated me, and which I'll talk about in another Crimefest post.) We lost that knowledgeable crime fan Mike Linane to Ali Karim's team on the next table, but also joining us was Alexandra Benedict. There are two novelists called Alexandra Benedict, and so our colleague is published as A.K. Benedict. It turned out she is not only a Cambridge graduate who has written a highly successful debut, but also a composer of music for film and television, a singer and an expert on the ghost story. One website bio says she "writes words and music in a red-walled room filled with mannequins, teapots and the severed head of a ventriloquist's dummy." So really she ought to be a character in a book as well.

Anyway, it was an extremely convivial group and we called ourselves the Forgetful Authors. (In a surreal twist, this anticipated my forgetting the following day to post a Friday Forgotten Book for the first time in ages - you did notice, didn't you?) The quiz was closely contested and we finished up tying with Ali's team. The first tiebreaker question didn't separate the teams, but the next one enabled us to win the day, and collect some very nice prizes, including box sets of Sherlock, about which more soon.) Great fun, and I'll continue the Crimefest Chronicles tomorrow. If I don't forget, that is....

Forgotten Authors

No forgotten book today, but I did enjoy moderating the Crimefest panel on Forgotten Authors. The subjects included Adam Diment, Peter van Greenaway (who sounded most intriguing), Leslie Charteris and William Shipway.

My fellow panellists, Peter Guttridge, Caroline Todd, Sarah Rayne and Adrian Magson are all delightful people and it was a real pleasure to be with them. I must thank Ali Karim for the photo. His kindness is as unfailing as his support for crime writers.

And I've been asked to moderate another Forgotten Authors panel at next year's Crimefest....

Convention reflections

For the last in my series of posts about Crimefest, I’d like to reflect on the appeal of crime fiction conventions, perhaps especially for the benefit of any readers of this blog who have not attended such a convention, and wonder whether they would enjoy such an event, or whether they would feel a bit isolated.

My first crime convention was 20 years ago this autumn – the Bouchercon that was held in London. At the time, I had not enjoyed any success whatsoever as a crime writer, although I had joined the Crime Writers’ Association on the strength of writing and reviewing about the genre. I knew a few of those who attended, but not many. However, it was an eye-opening experience. Among many others, I got to meet Patricia D. Cornwell, who had just published her first novel, Maxim Jakubowski, Geoff Bradley of CADS and the great Golden Age expert Tony Medawar. I’m still in regular contact with Maxim, Geoff and Tony – not Patsy Cornwell, though, alas!

The event was so much fun – even for someone who is not naturally very sociable, like me - that I was hooked, and since then I’ve attended conventions in various different parts of the UK, as well as at Toronto, Seattle, Philadelphia, Las Vegas and Washington. I don’t claim that every event has been perfect, but each time I have met pleasant people for the first time, and had the chance to renew existing friendships. As well as to talk crime long into the night with like-minded people on countless occasions. Can’t be bad, can it?

And here are some photos from Crimefest featuring some of those people whose company I've shared with such pleasure. The first photo shows me with Mike Stotter, editor of that great online magazine Shots, followed by blogger Peter Rozovsky, top crime fiction guru and reviewer Ali Karim, and finally the Monkey Coalition pub quiz team: Carol, Ann, Karen, Cath, me and Rik. Photos courtesy of Ali, Mike and Karen.

Questions and Answers

For me, the final act of the hugely enjoyable Crimefest 2010 was, as last year, the Criminal Mastermind quiz. The organisers of Crimefest kindly gave me a free pass to the convention on the condition that I returned to ‘defend the title’ that I won last year. My fellow contestants were Peter Guttridge, Ali Karim and Cara Black, and the quizmaster was Maxim Jakubowski.

The format of Criminal Mastermind follows closely the format of the TV show. You have two minutes each on your chosen special subjects in round one, and two minutes on general crime fiction questions in round two. As with exams and crosswords, there is a bit of a knack to it, which is why it is always more difficult for American contestants who haven’t seen the programme. I’ve been involved with four Mastermind quizzes over the years, and each time I’ve appreciated the American contestants’ willingness to have a go at something unfamiliar – not an easy task, especially in that famously menacing black chair, with the lights dimmed and in front of a large audience. You can see us all twitching in the photo before the ordeal began!

The first Criminal Mastermind took place at the London Bouchercon in 1990 – that was where I first met Maxim – and the second at the Nottingham Bouchercon in 1995. I won in 1990, and was runner-up in Nottingham, where the contestants included that marvellous American writer, the late and much lamented Edward D. Hoch.

One alarming feature of the entire week-end was the number of people who came up to me and predicted that I would win. Their faith may have been gratifying, but I couldn't help feeling daunted. My chosen subject was the crime writing of Julian Symons, and various people asked if I had re-read his work in preparation. In fact, I didn’t re-read any of it, since surely nobody setting a quiz would ever plough through the whole body of work - you can have too much information! So I assumed I could get away with relying on my long-standing enthusiasm for one of the great British crime writers. Doing a quiz is a bit like doing an exam – you just have to stay calm and focused and not worry about the things you don’t know, of which - as in life - there are always far too many. Happily, it all worked out and I’ll be receiving an inscribed Bristol glass tankard by way of commemoration. But next year, I’ll be very happy to sit in the audience instead of in the dreaded black chair and watch others suffer!

Crimefest 2010

I returned yesterday afternoon from a thoroughly enjoyable trip to Bristol, and I think everyone shared the view that Crimefest 2010 was a highly successful event. Congratulations are due to the hard-working team of volunteers who make sure that things go so smoothly, a tricky task accomplished with good humour and efficiency.

The superb weather was an added bonus and I took the opportunity to have a look round some parts of Bristol within walking distance. It's a rather appealing city, and one that, surprisingly, has not been featured too often in crime fiction.

Right from the outset I also had the chance to catch up with a number of old friends - within minutes of arrival, I found myself in the company of first Ruth Dudley Edwards, Linda Regan and Brian Murphy, and then Ali Karim, Maxim Jakubowski and Neil White. And the social aspects of the convention continued throughout the week-end, right down to the journey home with Kate Ellis, who kindly presented me with a copy of her latest book, The Flesh Tailor, about which more at a future date..

On Friday evening, a pub meal at The Green House, conveniently located opposite the convention hotel, was followed by a quiz set by Peter Guttridge. Our team, the Monkey Coalition, ran out winners despite struggling with various questions, especially about film. It was a very convivial occasion, and my colleagues were Rik and Carol Shepherd, Karen Meek, Ann Cleeves and Cath Staincliffe. Our prizes were a choice of books, cds and dvds, and I’m hoping that audio versions of books by Peter Robinson and Lee Child will improve my commutes in the weeks to come.

Crimefest

Today I set off for Bristol, and Crimefest. I’ve been looking forward to it, whilst worrying for some time that family health issues would prevent me from attending. Happily, this is not the case, and I am hoping that I’ll find the week-end as restorative as I have done on previous occasions.

I’m moderating a couple of panels. ‘I Fought the Law’ on Friday morning concerns writers who write fact and fiction, and those involved include Frances Brody, Alison Bruce, Dan Waddell and Diane Janes.

On Sunday morning, we will reprise the ‘Forgotten Authors’ panel that proved popular last year. Those involved include Caro Ramsay, Michael Stanley, Caroline Todd and Suzette Hill.

Shortly after that, I’ll be involved again with the Mastermind quiz. All in all, it should really be a fun week-end and I do hope to see some of you there

Off to Harrogate

I’m heading off to Harrogate this morning to take part in the Theakstons Old Peculier Crime Writing Festival (for those of you unfamiliar with it, Theakstons Old Peculier is a type of beer; Theakstons the brewers sponsor the Festival.)

Today is ‘Creative Thursday’, when there are writing workshops given by a variety of authors including Mark Billingham, Zoe Sharp and me My topic is ‘Legalese’ (typecasting, I’m afraid.) On Saturday, I’ve been asked to host a table at the Readers’ Dinner; the entertainment will be a murder mystery event written by Ann Cleeves and featuring a cast of suspects including Natasha Cooper. It should be fun. There is also to be a quiz, and Ali Karim has already invited me to join his team, which includes fellow blogger Rhian from ‘It’s a Crime’.

Harrogate is a splendid town, and one of the great pleasures of the Festival is simply the socialising, the chance to meet old friends and make new ones. I’m really looking forward to it.

For my loyal and much appreciated readers, blog posts will continue while I am away, but I shall probably leave discussion of the Festival until it’s over and I’ve had time to reflect on what will, I hope, be a memorable few days.

Deadly Pleasures

I’ve received the latest issue (number 57, and I own every one of its predecessors) of George Easter’s very well-regarded fanzine, Deadly Pleasures. I haven’t contributed to this particular issue, but as ever there is a variety of good things, including a major features about that excellent writer Peter Robinson. I’ve been friendly with Peter since the early days of our careers, and his enormous success in recent years is richly deserved. On the occasions when reviewers have bracketed my books with his, I’ve been very pleased, and certainly we share a number of the same preoccupations as crime writers.

One of the pleasing features of DP is that the reviews are by no means bland – Larry Gandle, for instance, can be a pretty acerbic (but astute) commentator. The same is sometimes true of Marv Lachman, a hugely knowledgeable fan of traditional mysteries and the short story form. In his latest column, Marv highlights a very interesting book published a year or two back, collecting the detective fiction reviews of Charles Williams from 1930-1935. The book, edited by Jared Lobdell, contains a great deal of interesting material, and I share Marv’s enthusiasm for it. If you’re a serious fan of Golden Age mysteries, it’s packed with fascinating information.

George has long been a fan of British crime fiction, and as usual this issue contains generous coverage of UK authors and books – the contributors include Cath Staincliffe, Philip Scowcroft and Ali Karim. All in all, it’s a magazine that has established itself very firmly with fans, and for good reason. Its production is not a commercial enterprise, but a labour of love, undertaken by a man whose passion for the genre over the 17 years or so that I’ve known him has never dimmed. Long may George continue to share his deadly pleasures with the rest of us.

Blogs and Inspiration

One of the blogs I study most closely is Kerrie’s Mysteries in Paradise, and I was flattered a few days ago when Kerrie mentioned this blog as one of seven that she’s found inspiring. She asked that I name seven blogs which I regarded as inspirational. Since then, I’ve kept on deliberating (once a lawyer, always a lawyer?)

A tricky aspect of these memes is that selectivity is challenging. How can I confine myself to picking just seven blogs? Amnesia afflicts me regularly, and I’m bound to forget to highlight at least one that I really enjoy, probably half a dozen or more. (When I wrote up my 16 allegedly interesting things about myself, I clean forgot that I’d once been involved with a feature film – a story for another day, perhaps.)

Yet I didn’t want this post simply to be a list. I’m sure that readers will find plenty of interest in all the blogs listed in the blogroll - please don't overlook the ones I haven't mentioned specifically in this post. I thought that, as well as mentioning some blogs by name, I’d also make one or two brief general observations.

There are different types of inspiration, as well as different sources. For instance, Kerrie’s blog contains a number of adventurous technical features that one day I’d like to emulate (lack of time, as well as a massive techy expertise, is the snag here.) Then there are blogs which contain a good deal of useful info – examples include Karen Meek’s Eurocrime blog, It’s a Crime, Detectives Beyond Borders, Petrona (Maxine Clarke is an advocate of Friendfeed, something else I regret not having got round to investigating in sufficient detail yet), Murderati, Criminal Brief (Steve Steinbock’s Friday column is a definite must-read), Gerald So’s blog, and The Rap Sheet.

Several American writers have terrific blogs – Ed Gorman and the witty Bill Crider are among the names that spring instantly to mind. Patti Abbott’s series of Friday’s Forgotten Books is fascinating, and I am really pleased to be involved with it.

Then there are the blogs of readers and fans, sometimes focusing heavily on crime, like Ali Karim’ The Existentialist Man (with an emphasis on the contemporary), and Xavier Lechard’s At the Villa Rose (with an emphasis on the traditional detective sotry), sometimes ranging:far and wide (beyond books, let alone mysteries) for example, Letters from a Hill Farm, Books Please, Confessions of a Book and Opera Lover, Harriet Devine's blog, and the blogs of Roberta Rood and Lourdes Fernandes, two Americans I met when they were visiting England, and before I started blogging. In fact, I’ve met a number of fellow bloggers for the first time in the past twelve months, although often all too briefly, and this too has been a tremendous plus.


And then there are blogs which, at least at first sight, don’t have much to do with my fields of interest. One is Juliet Doyle’s Musings from a Muddy Island; yet her interest in letterpress has influenced me in developing one of the characters in my current work in progress. Another is a blog which links to Jane Gallagher’s writing blog – also by Jane, it’s called Work that Wardrobe. Now, nobody who has ever met me would ever confuse me with a dedicated follower of fashion. Yet as a novelist, I’m bound to be interested in most things – including what my female characters wear. But it’s a subject on which I’m pretty ignorant. And it occurred to me not long ago that I could pick up some good ideas for their appearance from Jane’s blog.

All this means that blogs can inspire me in a whole variety of ways. To guide me to interesting books I haven’t read before (old as well as new), to introduce me to delightful people and to help me, in one way or another, with my own writing. One thing is for sure. When I started off on this blogging lark, I had absolutely no idea how much fun it would give me. It’s been a revelation - and it’s become an addiction, but a very pleasurable one.

16 Things

I’ve never really got to grips with memes and tags, but Ali Karim has asked me (along with various others, including Mike Stotter of Shots Magazine), to highlight 16 little-known facts about myself. I would normally be desperate to come up with some excuse to avoid doing this, but Ali is such a great guy - and I do already owe him a pint or three - that I’m glad to oblige. But then, the awful challenge is to come up with 16 morsels of info that do not immediately characterise me as Britan’s Boringest Blogger. How interesting these bits and pieces are, I’m dubious, but here goes.

1. I was born in Knutsford, the Cheshire town which was the basis for Elizabeth Gaskell’s Cranford, and to this day the law firm I’m a partner in has an office in the town.

2. The first time I wrote about crime fiction, I was seven years old. I recorded in my school book that I’d enjoyed an episode of ’77 Sunset Strip’ called ‘The Chrome Coffin.’ The teacher needed to correct my spelling of ‘chrome’, though.

3. A Team for all Seasons is the title of the book written by my father about the local football club of which he was a passionate supporter and ultimately President. It took him ten years to write and was published shortly before his death. It ran to over 400 pages. Quite an achievement for someone who left school at 14 and had little formal education. He consulted me regularly about his writing, but routinely disregarded my advice – and the book was all the better for it.


4. After I left school, I had what is now known as a ‘gap year’. I spent three months unemployed (it was the era of the miners’ strike, daily power cuts and the three day working week) and then six months working in a factory that made yogurt. Surely this was the least exciting gap year ever. But it certainly made me appreciate university.


5. Balliol, the Oxford college where I studied law, was also the college of those great fictional detectives Lord Peter Wimsey and John Dickson Carr’s Dr Gideon Fell.

6. I saw the Beatles in person when I was about eight years old and many years later carried out legal work for the Cavern Club in Liverpool, where they were discovered.

7. My first book was published in 1983 and rejoiced in the title of Understanding Computer Contracts. Racy, huh?

8. Three years after that, I published a book called Managing Redundancies. Unfortunately, it has again become a very topical subject. In recent years, my book on equal opportunities has reached its fourth edition.

9. Magazines I’ve written for include such action-packed titles as Car Mechanics (though I barely know how to open my car's bonnet), Practical Woodworker (there is nobody less practical than me), and Good Housekeeping (I'm deplorably untidy). I was legal correspondent for those legendary publications Social Services Insight and The Expatiate at different times, and spent 18 months writing leader articles for The Solicitors Journal - an excellent opportunity to pontificate on anything that appealed to me (a bit like blogging!)

10. My first fiction success was with a short story that won the Southport Writers’ annual competition, judged by the fiction editor of Bella, a women’s magazine which duly published it. It later appeared in Ellery Queen’s Mystery Magazine. After that, there was no stopping me….

11. My methods of coping with stress are listening to music and, less obviously, shopping (but not in a supermarket.)

12. I once gave a lecture to a group of international lawyers in the unlikely setting of the Salzburg castle where much of ‘The Sound of Music’ was filmed.

13. My favourite sport is cricket, but currently my clients at work include Liverpool Football Club and the Football Association.

14. Although I tend to take the Edith Piaf line on regrets, I do regret never learning to play the piano. But when I was a student, a song I’d co-written was recorded on an album by an Italian musician and I was featured in the pop column of ‘The Oxford Mail’. (Someone currently selling the album on eBay describes it as ‘unusual’….) One of my neighbours now is Ian Brown, a rock musician formerly of the Stone Roses, but I have not been brave enough to tell Ian about my past life as a songwriter.

15. The first pop music concert I attended was by Dionne Warwick, in 1976, and the most recent was by…Dionne Warwick, last year.

16. A phrase that crops up several times in my novels is: ‘Life is short’. Something I strongly believe.