Wednesday 16 November 2022

Who Killed the Cat? - 1966 film review

The name of Arnold Ridley is still fondly remembered because of his charming portrayal of Private Godfrey in the long-running comedy series Dad's Army. Less often recalled is his work as a playwright. His most famous play was The Ghost Train, but he was quite prolific, and adapted Christie's Peril at End House as well as writing thrillers of his own. In 1956 he wrote Tabitha, in collaboration with Mary Catchcart Borer, another prolific author. This play was filmed ten years later as Who Killed the Cat?

The film was directed by Montgomery Tully, who co-wrote the screenplay with Maurice J. Wilson, and although it doesn't seem particularly 'stagey', it does seem more redolent of the Fifties than the Swinging Sixties. Blow Up it ain't. It is, however, in its modest way, quite a distinctive and enjoyable piece of light entertainment. 

The story begins with the reading of a will, that of the late husband of Eleanor Trellington (Vanda Godsell). It's pretty clear that the deceased had grown weary of Eleanor, his second wife, while she is bored with the three elderly ladies who lodge with her, and at odds with her teenage step-daughter, Mary (Natasha Pyne). Eleanor behaves unpleasantly to all and sundry, including Mary's young admirer, who works for a local jeweller (played by Mervyn Johns). When Mary buys poison from the local chemist, the scene is set for dark deeds.

The story rattles along at a respectable pace, and the three old ladies perform with gusto. A police inspector played by Conrad Phillips comes on to the scene, while there is a small part for Joan Sanderson. It is a notch above standard British B-movie fare, an unpretentious film that doesn't outstay its welcome. Tabitha, by the way is the name of a cat. As the title of the film suggests, not a good idea to get too attached to her...

 


 





4 comments:

Anonymous said...

I remember seeing The Ghost Train at the Playhouse in Hobart, Tasmania, around 45 years ago and being delighted to find that ‘Private Godfrey’ was the playwright. Apropos of nothing, a character dies early in the film and the body is required to stay on stage for the rest of the play. A challenging role, but not in the usual sense!

I do enjoy your blog, especially being alerted to forgotten authors. It isn’t quite a whodunnit but The Grand Babylon Hotel, by Arnold Bennett, is always worth re-reading.
E. Phillips Oppenheim, too, who sometimes dabbles in crime.

Martin Edwards said...

Thanks, Anon. Good to hear from you and plenty more Forgotten Books in the pipeline, I can assure you. I've read extracts from The Grand Babylon Hotel in the distant past, but haven't read the whole book from start to finish. As for EPO, I enjoyed The Great Impersonation and reviewed it here in 2015

BillS said...

Natasha Pyne?

Martin Edwards said...

Well spotted, Bill, and thanks. Typo duly corrected.