Forgotten Book - A Twist of the Rope

The revival of interest in the crime fiction of John Bude is nothing less than astonishing. A few years ago, I was barely aware of him, and had read none of his books. Then Nigel Moss, a keen collector of Golden Age fiction, and one of the most knowledgeable authorities on the subject, told me how much he liked Bude's work, and kindly gave me a copy of one of the author's books. Some time after that, the British Library asked me to write introductions to Bude's first two mysteries, which they were planning to reprint.

The rest is history. The Cornish Coast Murder and The Lake District Murder proved hugely popular, and have since been followed in the Crime Classics series by The Sussex Downs Murder, The Cheltenham Square Murder, and Death on the Riviera. Another Bude novel is also due to appear in the series in due course - more of that at a later date. Meanwhile, I've been trying to find out as much about Bude and his work as I can, not least from members of his family, whose help has been invaluable.

Despite the success of the Bude reprints, his other books are still very hard to find, but my Forgotten Book for today is his penultimate novel, published in 1958. A Twist of the Rope is praised by Herbert Harris in an essay about Bude in Twentieth Century Crime and Mystery Writers, dating back to 1980, and this tempted me to have a look at the story. It's a pacy novel, a thriller in much the same style and mood as those black and white crime B-movies that were popular in the late 50s..

It's a multiple viewpoint story. A deranged serial killer has escaped from an asylum, and takes refuge with an astonishingly obliging woman - I have to say that I found the police's failure to pick him up quickly rather unimpressive. We also follow the intertwined lives of several other people in the same small town, including a young guitar player called Johnny who falls for a rich but flaky young woman. When the girl is killed, it seems at first that the crazy serial killer is responsible. But Bude shifts the suspicion for the crime around quite neatly. It's a sound mystery, very much in keeping with its period, and reflecting Bude's desire to move with the times and update his approach to the genre, something he accomplished quite effectively.

Truly Criminal - a true crime collection, and thoughts about anthologies

Anthologies have always appealed to me. When I was quite young, I came across the CWA anthology, in those days edited by Herbert Harris, and never dreamed that one day I'd edit CWA collections myself. This I have now been doing for about twenty years. But until now, I've never produced an anthology composed exclusively of true crime essays. The time felt ripe to tackle such a project, and the result is Truly Criminal, which has just been published (very attractively indeed) by The History Press.

I'm really pleased with this book. Of course, I would say that, wouldn't I? But I do think it offers much that is unusual and intriguing. The range of contributions is terrific. We have essays by several stellar names, including this year's CWA Diamond Dagger winner, Catherine Aird, Peter Lovesey, and Andrew Taylor, plus CWA Non-fiction Gold Dagger winner Paul French. The foreword has been written by Peter James.

There are notable contributions by familiar names in the true crime field, like Kate Clarke, Linda Stratmann and Diane Janes, as well as excellent pieces by novelists Quentin Bates and Peter Guttridge, and a Shetland story by Shetland-based Marsali Taylor. A couple of contributions come from foreign members.

My own effort tackles the "Blazing Car" murder of 1930, a crime that has long fascinated me. It inspired a number of Golden Age stories, as did the Brides in the Bath case, which is the subject of Peter Lovesey's highly original essay, the Maybrick case, covered admirably by Kate Ellis, and the Wallace case, the subject of a recently discovered essay by Margery Allingham (who was a CWA member as well as a member of the Detection Club.).

It's often said - especially by gloomy publishers - that the market for anthologies is very limited. I'm not sure that's right. A book with a pleasing mix of ingredients can have a very widespread appeal. For proof of this, I can't resist mentioning my first two anthologies for the British Library - Capital Crimes and Resorting to Murder. Sales figures for these newly published books are already very high, and in fact higher than those of any previous anthology I've edited. Seems extraordinary, but it's true. And I hope that Truly Criminal will also find a receptive readership. It's a different sort of collection, and the contributors have done a wonderful job in telling their tales.