Reader, I Buried Them by Peter Lovesey - review

I had an advantage when coming to review Peter Lovesey's new collection of short stories, Reader, I Buried Them. A number of the stories included appeared previously in anthologies that I've edited over the years. It's always a great joy to receive a submission from Peter. The quality is high - that's a given - but what I love particularly is the sheer variety and the consistent enjoyability of his writing. There are plenty of fine examples in this book.

Peter is a brilliant ideas man. Fresh concepts spring to his fertile imagination with astonishing consistency. In a pleasing introduction to the book, he tells a good story about his first published short story, 'The Bathroom', which earned the admiration of Ruth Rendell and her encouragement to continue with the short form as well as his novels. The story is included, and so is a splendid companion piece of non-fiction, 'The Tale of Three Tubs', which I featured in my CWA collection of essays about real life crimes, Truly Criminal. 

Some of the clever ideas may, I suspect, have sprung from a great idea for a title - such as 'A Three-Pie Problem', featuring Peter Diamond, and also the title story of the book. There are nods to Patrick Hamilton in 'Gaslighting' and to Edgar Allan Poe and Agatha Christie in other stories. The stories vary in length as well in style and one of the very shortest, 'Agony Column' is appealingly jokey. There's an amusing monologue at the end of the book and a comprehensive checklist that will be invaluable for Peter's many fans.

Need I add that I found this book highly entertaining from start to finish? And there was a little bonus when I looked at the back cover. There were three well-deserved encomia. One from Ruth Rendell herself. One from Val McDermid. And one from me. Great company to be in - a company of long-term Peter Lovesey fans.  

2016 - People and Places

Each year brings its ups and downs as well as many unforgettable moments. For me, 2016 has been a wonderful twelve months, but before reflecting on some of the lovely people I've spent time with, and some of the fantastic places I've visited, allow me to pause and remember some old friends who died this year, including fellow crime writers Stuart Pawson and Tim Heald. I've happy memories of both of them; not least driving around Arizona with Stuart and his wife Doreen (she took the above photo of Stuart and me) and spending a bizarre but convivial weekend with Tim at a book festival to which hardly anyone came.

This year I've taken part in events to which quite a lot of people did come, in the company of a fascinating range of people - John Simenon, son of Georges, at the Essex Book Festival, for instance, and Kate Summerscale, Simon Brett and James Runcie at the London Library's 175th anniversary celebration, while Mark Lawson interviewed  Ann Cleeves and me at the British Library. I've given talks at libraries in Cheshire and Nottinghamshire, as well as hosting a murder mystery evening in North Wales and giving an after-lunch talk to the Margery Allingham Society. The CWA's conference at Norwich was not only convivial; it gave me the chance to fulfil an ambition of taking a boat trip on the Norfolk Broads. Each event had its own character; each was pleasurable. And having met John, it was especially amusing to share a seat with a statue of his father when on the Simenon trail in Liege a few months later.

Further afield, I've met up with old friends at Malice Domestic in Bethesda and at the New Orleans Bouchercon. And I've made a number of lovely new friends, including Shelly Dickson Carr, grand-daughter of the king of the locked room mystery, and Cathy Ace, born in Wales but resident in Canada, another writer of distinction. One of the most surreal moments of the year was joining up with Ali Karim and Mike Stotter on a flight from Atlanta and then taking a stretch limo from the airport to the Bouchercon hotel. Amazingly, it was cheaper than the regular transport. Only in New Orleans, I guess...

Through my involvement with the British Library, I've attended some terrific exhibitions and. I can strongly recommend the current exhibition on maps. A murder mystery weekend organised by Joy Swift in Stratford-on-Avon was great fun - Joy's events are also a must if you love interactive mysteries. As for seeing Burt Bacharach and Joss  Stone on stage at the Royal Festival Hall in the summer, it was a special treat. So were a birthday trip on a steam train in Llangollen, and a climb up to the limestone pavement at the top of Malham Cove on a sunny day which ended with a Yorkshire supper at Betty's Tea Room in Ilkley, where I gave a talk about Gil North's Sergeant Cluff.

Quite apart from conventions, I've done a lot of travelling, to places as varied as Antigua, Avignon, and Antwerp, Seville and St Thomas, Cordoba and Costa Rica, Brussels and Barbados, Stockholm and St Maarten, Panama and Puerto Rico. I've eaten in one of the late Stieg Larsson's favourite dining spots, been a guest of Janet Hutchings at Ellery Queen Mystery Magazine brunch in Bethesda, drinks party in New York, and dinner in New Orleands, as well as sharing a dinner table with Lee Child, Val McDermid and Andrew Taylor in Oxford. Nobody's lucky all the time, but I've certainly had a huge amount of good fortune this past year. Believe me, I'm grateful for it. .

Val and Versatility

As I mentioned the other day, I had the chance at St Hilda's to catch up with Val McDermid, who is always a witty and insightful companion. I've talked about Val several times on this blog, and since I first met her at a Northern CWA lunch in Yorkshire upwards of 25 years ago, I've followed her career and rise to the top with great interest.

Val's a doughty campaigner on all sorts of issues - here's an excellent piece she wrote last week for The Guardian, defending the crime genre from thoughtless criticism with gusto and common sense. She and I have a number of things in common (sales figures, alas, are not among them!) and Val spoke in her after dinner speech at St Hilda's of the transformational effect going to Oxford had on her after arriving from a state school. I had a similar experience at exactly the same time - we were contemporaries as students, though we never met. And even earlier, we'd both conceived a love for crime fiction after starting off with the very same book - Murder at the Vicarage by Agatha Christie. Quite a coincidence.

I'd also like to mention her generosity. A while back, I asked her to write an intro for the ebook publication of Suspicious Minds. Not only did she agree to do it, she delivered on the promise with a very incisive intro, simply out of the goodness of her heart. I had the same happy experience with a number of other leading crime writers, a reminder that the crime fiction world is a very collegiate one.   .   .

She is, of course, best known as a novelist, but her fiction is impressively varied, and her versatility as a writer is one of the qualities that I particularly admire. She's created winning series after winning series as well as writing great stand-alones. Short stories? Yep, she's very good at those, and I've included several in anthologies I've edited. Her collection Stranded is definitely worth seeking out. And that's not all. She published an excellent non-fiction book about female private eyes, An Unsuitable Job for a Woman, and when not long ago she produced Forensics, I rushed out to buy it within a few days of publication.

Little did I imagine that her excellent book and my The Golden Age of Murder would one day feature together on two award shortlists. It's happened before, when The Coffin Trail was shortlisted for the Theakston's Prize for best crime novel - an award won by Val,and I have to say deservedly so. Whatever happens this time around, for me it's a real pleasure to see my work bracketed with hers, however fleetingly. She is one of crime writing's superstars.

St Hilda's Crime and Mystery Week-end

I've just returned from Oxford after taking part in the St Hilda's Crime and Mystery Week-end -the 23rd year this conference has taken place under the admirable stewardship of Eileen Roberts and Kate Charles. The company of fellow readers and writers was very convivial, as always, and the weather was kinder than the forecast had threatened. Talks were chaired by Natasha Cooper with her customary excellence, and although other commitments meant she had to leave early, Andrew Taylor was the perfect substitute to bring on from the bench.

There was a varied group of speakers, including Andrew (who discussed historical crime fiction), Marcia Talley (very good on "cozy crime") and Sarah Weinman, whose topic was domestic suspense. The international guest of honour was Lee Child, and the Friday night dinner speaker was Ted Childs, the ITV guru responsible for Inspector Morse. Val McDermid was the after dinner speaker on Saturday. I learned something from all of them.

My talk was "Trending - Why is Golden Age fiction fashionable again?" I shared a platform with Carol Westron, who talked about "rules" during the Golden Age. And here let me tell a perfectly true story. I was first asked to speak at St Hilda's a long time ago; my topic was Balliol's crime writers and I was very nervous. I felt the content was okay, but (although people said nice things about the talk) I felt my delivery of the material was flawed by anxiety.. The truth is that, although I've done a lot of public speaking and advocacy in my twin careers as solicitor and writer, it's not something that has ever come naturally to me. Perhaps it's odd, but I find reading from a prepared text harder than talking without notes on a favourite topic, and making it up as I go along.  But I've spoken at St Hilda's several times now, and I'm glad to say that it's become progressively easier for me. This year I worried less in advance about my presentation than I have done previously. So I've gained confidence - but it has taken a long time, perhaps longer than most members of the audience would guess.

As ever, the social side of the week-end was hugely enjoyable.. Before the conference began, I was glad to have the chance of dinner with my old friend Ann Cleeves, and on the Saturday night, those at my table included two superstars of the genre, Lee Child and Val McDermid, along with Andrew, who is one of the contemporary crime writers whom I most admire.. It was really rather memorable, and for me it was - quite genuinely - an honour to be part of it all.. .

Festival Time

It's a sign of just how good a time I had at the Harrogate Crime Festival this past week-end that on Friday I completely forgot to post the Forgotten Book piece that I'd written in advance of my trip. Ooops. It will now appear this coming Friday instead! But I really did have a good time at Harrogate, which was looking at its best in the sun. It's a lovely setting for a festival.

I very much enjoyed catching up at length with James, my agent, and discussing with him a wide variety of projects that are in the pipeline for the next twelve months. We also had the chance to reflect on all that has happened in my writing career over the past year - it's been the most exciting time of my writing life. I was also able to give him an update on my latest novel-in-progress. My fiction writing has inevitably taken a back seat lately, but I'm totally committed to it, and although the new novel won't be ready for publication in 2017, it is at least moving forward. Next year will, though, see the publication of The Story of Classic Crime in 100 Books and several anthologies that I've edited.

I had the pleasure of meeting Karen Robinson of the Sunday Times Crime Club for the first time, and of attending parties held by Harper Collins and Bonnier. For the annual quiz masterminded by Val McDermid and Mark Billingham, I was invited to join the Little, Brown team, which also included Stav Sherez, and we came second - not quite top of the pile, but still a good result and a very enjoyable evening.

There was also the chance to have dinner with the likes of Barry Forshaw and David Stuart Davies, as well as catching up with a whole host of old friends, such as Ali Karim Alison Joseph and Leigh Russell, all of whom are pictured above outside the Old Swan Hotel, Ricki Thomas, Felix Francis, and many more. The fact the hotel was the place to which Agatha Christie retreated during her notorious disappearance does give the festival an added piquancy. Harrogate's a different sort of event from those wonderful week-ends Crimefest and St Hilda's (I'm very much looking forward to the latter, in mid-August) but has a distinctive atmosphere.  And the fantastic weather was a bonus..

Robert Barnard - A Talent to Entertain

The response to my blog post last week-end about the death of Robert Barnard really shows how popular were both the man and his books. I'm not sure how many of you read the comments on blog posts, but among the numerous very welcome comment, I'd particularly like to highlight the little anecdote told by Bob's old friend Peter Lovesey. It really captures the man and his sense of humour perfectly.

The last time I saw Bob, he presented me with copies of his two final books, as well as a very interesting article about his writing. This prompted me to write a piece about him for Mystery Scene, and Bob's fans might like to know that I've now had it uploaded on to my website.

I also thought I'd share a memory of an occasion in Bob's company more than twenty years ago. The Northern Chapter of the CWA agreed that we would produce an anthology of our crime writing (including one or two pieces of true crime) and everybody offered to chip in. It was decided that I would edit the book - a touching demonstration of faith, given that I'd never edited a book in my life at that point.

Several of us gathered, as I remember, at Ann and Tim Cleeves' house in Whitley Bay. Those also present were Bob, Val McDermid and Chaz Brenchley, as I recall. We debated issues like the book's title, and mulled over the choice of artwork offered by the publishers (ah, those were the days!) And I recall Bob entertaining us with a very good story about his late father's battles with the taxman. He was great company, and I think it says a lot that, as a very well established author at that time, he was willing to put in time and effort to a project that was enjoyable but certainly never made us any money. The book that resulted was called Northern Blood, and Bob's contribution was an entertaining story called "A Sure-Fire Speculation". From the first paragraph, which introduces us to a member of the Young Conservatives (not an organisation Bob admired greatly, it's fair to say), you knew that you were in for some fun, and so it proved.

And thanks to the efforts of people like Bob, Val, Ann and Reg Hill, Northern Blood started me off on my strange but very satisfying career as a crime anthologist. Tweny-one anthologies later, I remain grateful to them.

St Hilda's Crime and Mystery Week-end

St Hilda's Crime and Mystery Week-end is a crime conference with a distinctive and delightful personality which makes it very different from other crime-related events. The setting is St Hilda's College, Oxford, and I'm just back from the twentieth conference, which was, if anything, even more enjoyable than usual. The fact that this week-end is not advertised, has no promotional website, and yet has flourished for two decades, speaks for itself. When people do find out about it, and attend, they tend to love it, and go back year after year. There's no clearer sign of success than that.

The theme this year was "The Present and Future of Crime Fiction" and when I was asked to deliver a paper, I thought I would be very crafty and find a neat way to weave a talk about the Golden Age into the over-arching theme. What I hadn't anticipated was that some other writers would have the same idea - and my talk was on Saturday afternoon, while just before lunch P.D. James herself would be speaking about....the Golden Age.

P.D. James was aptly described by Natasha Cooper, the chair of the conference, as the true Queen of Crime and it was wonderful to see that her audience regarded it as a true privilege to be able to listen to her. And so it was. Fortunately for me, there was no overlap between her topics of mine, and one of the more daunting experiences of my public speaking career (yet a real honour) was to see Baroness James herself sitting in the front row to listen to my paper. I did feel a bit nervous, having foolishly said the previous evening that I feel more confident about speaking in public nowadays than I used to, but I managed to get through to the end without drying up completely. The papers are delivered in pairs, so P.D. James spoke along with Frances Fyfield, while I was paired with Peter Robinson - and it was very good to catch up with him again over the week-end.

The other speakers included Andrew Taylor (talking about C.S. Forester), and Val McDermid, while two after dinner speeches were given by Bernard Knight on the Friday, and Cilla Masters on the Saturday. There was also an extremely interesting panel chaired by Ayo Onatade on the future of crime publishing. The attendees included quite a number of notable writers who weren't actually speaking - a few examples include Frances Brody, Ann Granger, Marjorie Eccles, Kate Ellis, and AK Benedict - while I met several writers whose first books are due to appear shortly. As ever with these events, the combination of catching up with old friends and meeting new people was very pleasurable.

Much of the success of St Hilda's is down to continuity and the sterling efforts of the organisers, Kate Charles and Eileen Roberts, and Natasha Cooper, who chairs quite brilliantly in a calm, efficient and extremely generous style that few if any could match. This trio put a huge amount of work into the event, and their reward is simply that they give a lot of people a great time.If you've never attended St Hilda's, I do recommend it very strongly. The dates for next year are 15-17 August 2014.

Harry Devlin is back!

I’m truly thrilled to say that my early Harry Devlin books, set in Liverpool, are now enjoying a new life. They are available as ebooks, in new editions with some very special features that I hope readers will find fascinating. For me, it’s all very exciting. And the books are also being made available again, for those who prefer hard copies, in paperback editions.

Andrews UK, who specialise in ebooks and print on demand editions, have now produced six of the eight titles in this way – the whole series, that is, with the exception at present of Eve of Destruction and the much more recent Waterloo Sunset.

The most notable of the special features is that each book benefits from a brand new introduction by a leading crime writer. I’ve been extraordinarily lucky here – this original material, only available in these editions, comes from some of the most gifted and renowned of modern British writers.

CWA Gold Dagger Winner Frances Fyfield introduces my debut novel, All the Lonely People. Frances reviewed my earliest work in legal magazines (she and I, like Harry, are solicitors) and I have long felt an enormous debt of gratitude to her for her encouragement.

The same is true of Val McDermid, the CWA Diamond Dagger winner who has written a new introduction to the second book in the series, Suspicious Minds. Val reviewed one or two of the early Devlins very favourably, and her generous remarks in this new edition made me glow with pride.

I Remember You, the third book in the series, has an introduction from Margaret Murphy – the current joint winner of the CWA Short Story Dagger. Margaret is not only an old friend, but someone who knows Harry Devlin’s Liverpool  better than most.

Yesterday’s Papers, perhaps my favourite Devlin book, has an introduction from another CWA Diamond Dagger winner, Peter Lovesey. Again, Peter is a superstar of the genre who has supported me generously for many years. He and I share an enthusiasm for classic, twisty plots, and it seemed to me appropriate that this particularly elaborate mystery should include an intro from such a master of the genre.

A third CWA Diamond Dagger winner, Andrew Taylor, kindly wrote the introduction to The Devil in Disguise. This was a book I really enjoyed writing, though I remember being mortified when my original publisher didn’t care for it. As a result, I moved to Hodder, with increased sales as a result. Andrew was a Hodder author too, and we launched this book, and one of his Lydmouth titles, at the same enjoyable event in the late lamented Mysterious Press bookshop in London.

Finally, there is First Cut is the Deepest, with an introduction from Kate Ellis, twice shortlisted for the CWA Short Story Dagger.  This was the last Devlin story I wrote before taking a ten-year break, and it is also the longest and perhaps the most complex entry in the series. Kate, like Margaret, is a Liverpudlian with a deep love for Harry’s home city.

For each book, I have written a detailed new “Making of” feature, along the lines that you find in DVDs. There is also a biographical note, and an appreciation of my work which has most generously been contributed by former CWA Chair, Michael Jecks.

Each book includes a “preview chapter” for the next book in the sequence, a device that I hope will encourage people who dip into the series for the first time to return to it.

As we all know, the world of publishing is changing rapidly. With all change, there are advantages and drawbacks. But I am very optimistic that for writers like myself, who do not have massive publicity teams or budgets at their disposal, that digital publishing will help to make the books available to a new and wider readership. We shall see. One thing is for sure: it’s enormously gratifying to see these early books given a fresh life.

I can’t close this post without expressing my profound gratitude to Frances, Val, Margaret, Peter, Andrew, Kate and Michael, all of whom offered their contributions without the slightest degree of arm-twisting! (The same is true of CWA Gold Dagger winner Ann Cleeves, whose introduction to Eve of Destruction is at present unfortunately unavailable because of the frustrating and unhelpful attitude of the rights owner.) Generous people, as well as terrific writers, and I am proud to call them friends.

St Hilda's

The 18th St Hilda's College Crime and Mystery conference was another triumph for organisers Kate Charles and Eileen Roberts, as well as for Natasha Cooper, who chaired the sessions with the unobtrusive excellence as well as efficiency that seem to come so naturally to her.

I was glad to share a platform with Andrew Taylor, who gave a very good talk about Wilkie Collins - my subject was the British lawyer-author, with special focus on Cyril Hare and Michael Gilbert. Among the highlights of a varied programme, Ayo Onatade gave fascinating insight into the world of the courts, while Val McDermid spoke very interestingly about justice, referring to one of her own excellent thrillers, A Place of Execution. What I didn't know was that the book was inspired by a true crime case - which she learned about from our mutual friend, the true crime expert Douglas Wynn.

As ever, there was the chance to meet pleasant people for the first tme as well as to renew old friendships. I was glad, for instance, to have a chat with Marcia Talley, who is in the foreground in the photo. Marcia is an accomplished American author who is a regular attendee at St Hilda's.

It was a real privilege to be invited to take part, and I'm very grateful to Kate and Eileen for all their hard work. After an excellent but very hectic week, I must admit I was pretty exhausted by the time I was driving home. But it was well worth it.

Nordic Noir

Nordic Noir was an interesting BBC 4 documentary about Scandinavian crime fiction. As regular readers will know, I have quite a long-standing enthusiasm for a number of Scandinavian crime writers – as well as for their countries, which I’ve visited occasionally, and this was a worthwhile assessment with the added bonus of shots of fascinating towns, cities and landscapes (the photo is Stockholm, a city I really liked on my first visit this year.)

Inevitably, the main focus was on Stieg Larsson, but there was also discussion of a range of other writers, including Karin Fossum, Jo Nesbo, Henning Mankell, Sjowall and Wahloo – and Arnaldur Indridason, whose native Iceland is one country I haven’t visited and which is high on my to-be-travelled-to list.

And there was mention, too, of Miss Smilla’s Feeling for Snow, by Peter Hoeg, which some might call a ‘literary’ crime novel, and certainly a book which is memorable, especially perhaps for its early scenes. No mention,though, of Gunnar Staalesen, whom I discussed here a little while back.

The talking heads included the crime fiction commentator Barry Forshaw, and novelists Val McDermid and Hakan Nesser. The witty and amiable Nesser made the point that there are fashions in crime fiction as in other areas of life, and that one of these days, attention will shift elsewhere. Another interesting comment was that younger writers may be more interested in global issues than in exploring localised societies – I’m not sure whether I agree with this broad generalisation, but it certainly got me thinking.

Val McDermid

Val McDermid has been awarded the Crime Writers’ Association’s Cartier Diamond Dagger – the most prestigious crime fiction award in the UK – and it’s an honour which recognises the consistently high quality of her writing over a good many years. Her first novel appeared in 1987, and she is best known for her books about Tony Hill, which were adapted into a highly successful TV series starring Robson Green, The Wire in the Blood.

Although Val and I are almost precisely the same age, and were student contemporaries, we did not meet until about 1992, by which time we were both members of the Northern Chapter of the CWA, founded by Peter Walker a few years earlier, and a group which has introduced me to many wonderful writers who have become friends. At that stage, Val was branching out with a new series featuring the Manchester private eye Kate Brannigan, and this was the point at which her career really began to take off in a big way.

I’ve followed her career pretty closely ever since, and I well remember being present at the Awards Dinner when Val received the CWA Gold Dagger for the first Tony Hill book, The Mermaids Singing. She’d had the extraordinarily galling experience of having her publishers omit the final few pages of the book from the first edition – what could be worse for a crime writer? But it would take much more than that to stop Val from achieving success.

It’s often said that Val’s books ‘are known for their graphic depictions of violence and torture’ (this is a phrase from the Wikipedia article about her) but my view is that more emphasis should be placed on two features which I think go a long way towards explaining her success. First, her books are very intelligently composed – not in a knowingly learned way, but in a way that helps to enhance reader satisfaction. Second, she has a genuine respect for classic crime fiction, and her understanding of the appeal of complex whodunit plots helps to inform her own carefully constructed mysteries. To respect good traditions, whilst updating them, is a gift for a crime writer, and she definitely possesses that gift.

Perhaps I should mention that I have an involvement with the Diamond Dagger, to the extent that I chair a small sub-committee which sifts through nominations for the award. Once we have agreed upon a shortlist of up to seven names of great candidates, those names go forward to the CWA committee, who make the actual decision. Needless to say, I’m very much in agreement with their choice!

The photo shows Val and I, with Martyn Waites, on the stage at Bouchercon in Baltimore about fifteen months ago, when we were involved with presenting awards to various guests of honour.

Bad Blood

The overlapping territory between stories with a sci-fi or paranormal element and crime fiction is one that interests me a good deal. I mentioned a while back the vampiric elements that I introduced into the seventh Harry Devlin novel, First Cut is the Deepest – although the murder mystery there had a solution based entirely in the rational world.

But sometimes stories about murder wander away from the established science and into realms of speculative fiction. An example is ‘Bad Blood’, an episode from ‘The X Files’ that I’ve just watched. It’s a story set mainly in a tiny community called Chaney, somewhere in Texas. Half a dozen cattle have been killed and exsanguinated, and when murder is done, Mulder and Scully are called in. But is there a vampire at work, or do the crimes have a different explanation?

Matters are complicated by the fact that we know from the start that Mulder has killed a young man, whom he thought was a vampire, and the events leading up to this are seen first through Scully’s eyes and then through Mulder’s. After the flashbacks, the story moves forward, and it becomes apparent that all in Chaney is not as it seems.

There are several elements in this story that have links with crime fiction – there are some neat clues, and one part of the plot reminded me of a book by Val McDermid. This is not, in the end, so much a crime story as an exercise in fantasy fiction. But it’s a pretty good story, cleverly told.

Profiling Val McDermid

I managed to catch the ITV 3 documentary about Val McDermid, a crime writer of genuine distinction. A good programme, which gave a flavour of her writing strengths, whilst inevitably paying some attention to her much-hyped difference of opinion with Ian Rankin about what it takes for a woman writer to reach the top of the sales lists.

Val is best known for her The Wire in the Blood series, featuring Tony Hill, but before that she served her apprenticeship with a series about a journalist (Val too was a journalist before she began to write full time) and then a series featuring a female private eye based in Manchester. In recent years, she’s written a number of stand-alones, and a recent change of publisher may well see her selling even more copies than in the past.

Val and I were contemporaries at university, but our paths didn’t cross there, and we first met through the Northern Chapter of the Crime Writers’ Association, back in the early 90s. Leafing through an old photo album recently, I came across a few snaps of her playing with my son – much to his delight - when he was very small, in the course of a fun weekend organised by Reginald Hill for the Northern crime writers in the Lake District. (Long before I dreamed of setting a series of my own in that wonderful location, I should add.)

I was there at the CWA Daggers Awards ceremony the night when the first Tony Hill book, The Mermaids Singing, won the Gold Dagger, and that was probably her ‘breakout moment’. She deserves her success, for she is a highly intelligent and talented writer. When I’ve talked to her, I’ve been impressed by her knowledge of and love of the classic detective stories, and she recognises the importance of a strong, twisty plot as well as good characterisation. I confidently expect that she’ll be a major force in the genre for many years to come.

St Hilda's

I’m really pleased to have been invited to Oxford, to speak at the St Hilda’s College Crime and Mystery week-end in August. This is an event which I’ve attended two or three times before, although not for a few years. St Hilda's was, until recently, a college exclusively for female students. Val McDermid is an alumna, and in fact she and I were contemporaries at the university, though our paths did not cross until many years later.

My previous visits to the St Hilda's week-end have been pretty memorable – I met Anne Perry and Susanna Gregory here for the first time, for instance, and remember a hugely enjoyable visit to an Inspector Morse exhibition with the likes of Colin Dexter and Andrew Taylor, as well as a delightful lunch with a retired tutor from my old college.

The two principal organisers are Kate Charles, a former chairman of the CWA and a much under-rated writer, and Eileen Roberts, who spent a good many years at St Hilda’s and retains her connection with the event, which is especially popular with American crime fans, as well as members of Mystery Women. It was at St Hilda’s that I was encouraged by those great crime enthusiasts Lizzie Hayes and Ayo Onatade to follow Andrew Taylor’s lead and become an honorary Mystery Woman. Which I remain to this day!

The topic for the week-end (at which the speakers deliver papers with a unifying theme) is ‘the wages of sin’, and in due course I’ll have to think about an interesting way of addressing the subject. Any suggestions of an angle that readers of this blog would find appealing will be gladly received!

Stephen Booth and others

I recently added a number of blogs to the blogroll. They include Dorte’s excellent blog – if you haven’t read her post on the rules of feminist detective fiction, which she mentioned here in recent comments, you may be interested to check them out. Another blog well worth a look is the much-visited blog run by Kate Sutherland. I came across it by chance, via a link from John Baker’s blog. This is one of the things I like about the blogosphere – all the unexpected connections. Wandering from link to link, I sometimes feel like a child entering a vast, sometimes unfamiliar and daunting, yet nevertheless utterly entrancing world.

A third blog that I’ve only recently encountered is that of the East Midlands crime novelist Stephen Booth. Over the years, I’ve done one or two events with Stephen, and the highlight was when we were both in the short-list of six for the Theakston’s Old Peculier Prize for best crime novel of the year, at Harrogate in 2006 (The Coffin Trail was the book of mine that got me there.) Also on the short-list were Susan Hill, Lindsey Ashford, Ian Rankin and the eventual winner, Val McDermid. The last time I saw Stephen was one evening in autumn when we had a drink together in the bar of the Bouchercon hotel in Baltimore. He’s a journalist whose sales success enabled him to become a full-time novelist.

I first came across Stephen through his well regarded debut novel Black Dog and I’ve read several since then. My favourite is The Dead Place, a really excellent mystery that handles the death motif very well. I once told him that, after that book, I felt I couldn’t go ahead with a planned Lake District novel I had in mind, called The Dead Shop (after the old morgue in Appleby). And at that point, he told me he’d once contemplated a book involving a coffin trail…..

Finally, I want to mention my sadness at the passing of a notable member of the crime community, Barbara Franchi. I had the pleasure of meeting her, though all too briefly. She reviewed one or two of my books very positively, and since she was by no means a bland reviewer, I was definitely in her debt. Many others who knew her much better than me have paid warm tributes to her on the internet and elsewhere, making it clear that she will be much missed.

12 Days

On this special day, I feature 12 Days, a book of seasonal short stories that I bought this time last year - an anthology edited by Shelley Silas, including contributions by such luminaries as Val McDermid and Stella Duffy. Well worth a look if you're a fan of the short form.