2018: Publications

At this time of year, I like to indulge my nostalgic instincts by looking back on the events of the past twelve months and picking out special memories, before turning to the year to come. 2018 was no question, amazing, a year rich in terms of exciting experiences. So I'll group them under three broad headings, starting with publications. And there's no doubt about the stand-out moment for me - it was the publication in the UK of Gallows Court, by Head of Zeus, celebrated with a delightful launch event at historic Hatchard's in Piccadilly. Pictured above are Nic Cheetham of Zeus, Barry Forshaw, and Robert (Death in Paradise) Thorogood.

This novel, very different in so many ways from my other novels, was a project I'd worked on for about three years, without a contract, and without any guarantee that anyone would want to publish it. So it's been an absolutely thrill to see it produced in a lovely edition (complete with ribbon bookmark!) and also now in special limited, signed, lettered and numbered, editions. And then there was the reception accorded to the book. I've mentioned before that I was very uncertain about how people would react to it. This anxiety is pretty common with authors, but all the more so when one is experimenting with something fresh. But the pre-publication endorsements, from luminaries ranging from Lee Child and Peter James to Laurie R. King and Peter Robinson, were fantastic, while the reviews in the national newspapers and in magazines and on blogs were everything I could have dreamed of. And I've enjoyed talking about the book at a variety of events, for instance the Jersey Festival of Words:

The Story of Classic Crime in 100 Books appeared in paperback. This book had a fantastic year, earning nominations for three awards in the US and two in the UK. Receiving the Macavity award in St Petersburg, Florida, from Mystery Readers International, in the person of the wonderful Janet Rudolph, was a moment to savour. An evening of thoroughly enjoyable celebration duly followed...

I was delighted to be associated with Ten Year Stretch, an anthology which I co-edited with Adrian Muller, celebrating ten years of CrimeFest, and raising money for the RNIB, with stories by Deaver, Rankin, Child, Herron, Sjowall, and other superstars. The signing session is pictured above. Will any of those stories feature in award nominations next year? We'll have to wait and see, but I was so pleased that Christine Poulson's excellent "Accounting for Murder" from Mystery Tour was shortlisted for the CWA Short Story Dagger. That story is a real favourite of mine.

The British Library published two anthologies of mine during the year. Blood on the Tracks, a collection of railway-related mysteries, and the seasonal collection The Christmas Card Crime, both fared well in sales terms and were prominent in the Amazon bestseller lists. Meanwhile, I continued to write introductions to British Library Crime Classics; this year saw the appearance in the series of old favourites Richard Hull and Julian Symons, as well as The Arsenal Stadium Mystery, The Division Bell Mystery, and more titles by the long-undervalued E.C.R. Lorac. The continuing popularity of Golden Age reprints is illustrated by the enthusiasm shown by those attending two events in June, Bodies from the Library, and Alibis in the Archives. Events which will be returning next year - space at Alibis in particular is limited, so do register your interest in good time if you'd like to attend. 

As well as writing a story for Ten Year Stretch ("Strangers in a Pub") I also contributed "Farewell Cruise" to Ellery Queen's Mystery Magazine. And then there were articles for a variety of publications, as well as introductions to books published by Harper Collins - for instance, Donald Henderson's splendid A Voice Like Velvet - and Flame Tree Press. I find these side projects fun to do, and although they do take up a bit of time, I think it's worth it. Mind you, a key resolution for the coming year is to make sure I write plenty of fiction! 

A Macavity and more...

I've returned from a week in St Petersburg - the Florida version, rather than the Russian one - which was the venue for this year's Bouchercon. And I am in exuberant mood, because not only did the past few days see the publication (in the UK, but not as yet in the US) of Gallows Court, and a gratifying flow of wonderful reviews, but I also managed to win a Macavity award, presented on behalf of Mystery Readers International.

My plan was always to combine Bouchercon with sight-seeing, and to hope that no hurricanes struck. There were plenty of rumblings of thunder and flashes of lightning, but apart from getting caught briefly in one downpour, the weather was mainly sunny and humid. I liked St Petersburg, which has a rather nice tourist trolley bus called the Downtown Looper, and I was hugely impressed by the Dali Museum. As anyone who has read Gallows Court will be aware, there is a modern art ingredient lurking in the background of the story, and my visit also gave me a few ideas for the book's sequel (because there will be one!) relating to surrealism and Dali's early work. There are hidden meanings in his pictures, just as there are in a good crime story.

The Story of Classic Crime in 100 Books has been nominated for five major awards, which is highly gratifying, but such is the strength of competition this year that I thought it unlikely that the book would win anything; so to receive the Macavity for best non-fiction book at the Bouchercon opening ceremony was a real bonus, all the more delightful for being so unexpected. And on the same day that Gallows Court came out, too!

As ever, the chance to meet up with old friends was a major highlight of the convention. Lunch one day with Paul Charles and on another with Ragnar Jonasson offered a great chance to catch up, and the same was true of several dinners with a host of lovely people, including Art Taylor, Bruce Coffin, Shawn Reilly Simmons, Kathy Boon Reel, Alan Orloff, Shelly Dickson Carr, Gigi Pandian, and Elly Griffiths. And it's always good to meet nice people for the first time, including Lesley Thomson, a fellow Head of Zeus author, Zack Urlocker, and Christina Kovac.

I did a couple of panels, and in the bookroom I somehow managed to restrict myself to buying only three vintage books, but they were good finds, and you'll be hearing more about them at a later date. On the tourist trail, an absolute highlight was a sunset cruise, catching glimpses of dolphins and soaking up the scenery. And the long flights gave me the chance to read seven books and watch four films, including the excellent On Chesil Beach. All in all, it was a wonderful time and I felt not only exuberant but also very fortunate.

A very brief breather...

I've arrived home after an action-packed few days in London. Whilst I was in the capital, I received the delightful news that The Story of Classic Crime in 100 Books has been shortlisted for a Macavity award by Mystery Readers International. The book has now received five major award nominations, three in the US, two in the UK, something I never dreamed of a few years ago when I first became involved with the British Library.

My trip included a variety of CWA events, notably hosting the annual lunch for former CWA chairs, an extremely convivial occasion in Covent Garden, a CWA board meeting, and the Detection Club's summer dinner at the Garrick Club. There was also a meeting with publishers to discuss marketing my new novel - more news about that very soon. I caught up with a number of old friends, including Tim Benson, with whom I went to school; among other things, he's now a guide at the Royal Academy, and he took me around the Summer Exhibition. If you like art, it's really a must-see.

Saturday saw the fourth Bodies from the Library conference at the British Library, and it proved to be another enjoyable occasion. The only downside is that because the programme is so full of things to do, there's never enough time to chat to all the people with whom one would like to catch up. But you can't have everything, and I'm delighted that Bodies is to return next year.

Christine Poulson hosted a conversation between Tony Medawar and myself about Golden Age anthologies, and it was good to see Tony again. We first met at, of all things, a Mastermind crime quiz at Bouchercon 1990, in London, before I was a published novelist. A lot of water under the bridge since then...Later in the morning I gave a talk about Richard Hull, and the various sessions included a panel about Francis Durbridge, a talk about Christianna Brand, one about crime dossiers, and a slightly bizarre Ellery Queen radio mystery from the 1940s. The final panel event, pictured, saw us discussing "Desert Island Detectives". Just to be quirky, I chose Ambrose Chitterwick...

There are detailed reports of the day on two of my favourite classic crime blogs, In Search of the Classic Mystery, from which I've taken the photo (well, crime is our shared enthusiasm...), and Cross Examining Crime. I was also delighted to chat to two more excellent bloggers, Jim and  Dan, with whom I recorded a podcast about impossible crimes. More about this another day.

It was good to meet Melvyn Barnes, and I hope to review his book about Durbridge, as well as Tony's new anthology, on this blog before long. In the meantime, I'm enjoying a breather today. Only two meetings, and a whole 24 hours of catch-up time before my next library talk tomorrow evening, which will be followed by a trip to the Lake District for a charity event...

The Golden Age of Murder in paperback

Tomorrow marks a milestone in my writing career, as The Golden Age of Murder appears in paperback in the UK for the first time, not quite two years after the original hardback publication. To say that this has been a lucky book for me is an under-statement. In terms of sales, reviews and awards, it's far surpassed even my most optimistic expectations.

I'd never have dreamed, for instance, that it would be translated into both Chinese and Japanese, yet that is exactly what will happen this year. In terms of both the number of reviews and their content, the reaction has been amazing- not just in the UK and US, but also in places such as Sweden and Australia. And I've recently been invited to talk about the Golden Age at literary festivals in such unexpected locations as Madrid and Dubai.

During the course of last year, the book picked up three awards in the US - the Edgar, the Agatha and the Macavity, and in the UK it earned the H.R.F. Keating award. For good measure there were two shortlistings - the Anthony award at Bouchercon, and the CWA Gold Dagger for non-fiction (which has never been awarded to a book that was a sort of reference book rather than a conventional true crime book). Attending those events was quite a surreal experience, but extremely gratifying.

Equally pleasing have been the shoals of emails and other messages I've had from readers who have enjoyed the book. Of course, I hope the paperback will reach an appreciative readership. And for those people who have asked me how I can follow up this book, my answer is - do look out for The Story of Classic Crime in 100 Books, which the British Library will publish in a few months' time. it's a very different book, but it's also one I'm proud of..

Collecting Crime Fiction

There is, it seems to me, increasing interest in collecting crime fiction. This is reflected in a new Pan Macmillan  blog post on the subject. PanMac talked to the rare book dealers, Peter Harrington, who in turn asked me for my thoughts. Take a look at that illustrated copy of Poirot Investigates, then take a deep breath, and take a look at the price. £75,000! Wow...

Coincidentally, it was a first edition copy of Poirot Investigates that first fired my interest in rare and collectible detective fiction. My law firm decided to celebrate my 21st anniversary with the business, and presented me with a copy. No dust jacket, needless to say, (I've since acquired a facsimile of the original to keep the book in good condition) but I was and remain enormously pleased by this wonderful gift.

Until that time, I'd been an avid collector of crime fiction, but entirely from the point of view of reading the books. Given the choice between a first edition and a cheap and battered copy, I'd opt for economy every time. But Poirot Investigates introduced me to a new world, which I have to say I have found unexpectedly fascinating and rewarding. I soon became enamoured of signed and inscribed books from the past, and those of you who have read The Golden Age of Murder will know that these made a very significant - and, I like to think, unusual, perhaps unique - contribution to that book.

My most recent major acquisition was at Bouchercon just over a week ago. I decide to celebrate my receipt of the Macavity award by buying a rare item - a first American edition of Bruce Hamilton's first book, To Be Hanged - complete with blurb from his famous godfather, Sir Arthur Conan Doyle, and the original wrap-around band which is in itself scarce. I'll be adding that to my web page on collecting crime fiction before long. In the meantime, the illustration at the top of this blog shows another unusual book - John Creasey's long-forgotten thriller Thunder in Europe, again with a wrap-around band, and most interestingly of all, with a personal inscription to fellow thriller writer Dennis Wheatley.

Macavity and Mystery

I'm back from an exhilarating and unforgettable Bouchercon in New Orleans - wow, what a city, what a convention! So many highlights, so many wonderful experiences. Among them was receiving from Mystery Readers International the Macavity award for "Best Mystery-related Nonfiction" for The Golden Age of Murder. This is the 30th year of the Macavity awards, and previous winners in this particular category include such stars as Harry Keating and P.D. James. The very first winner, back in 1987, was 1001 Midnights by Bill Pronzini and Marcia Muller., a hefty volume which I've consulted countless times.

The above photo, taken just after the ceremony, shows me with Sharyn Rosenblum, Publicity Director of William Morrow, part of the Harper Collins group.I last had the pleasure of meeting Sharyn on another utterly memorable evening, back in April, when I received the Edgar award. In all, The Golden Age of Murder has now received four awards, three of them in the United States - an achievement that I'd have found impossible to believe had anyone predicted it during those long, long years when I was writing and revising the book, and wondering if anyone would ever want to read it, let alone publish it.

But let's begin at the beginning. I flew out from Manchester to Atlanta, and after boarding the plane to New Orleans, who else did I see taking their seats but two old mates, Ali Karim and Mike Stotter. We managed to get seats together, and on arrival at New Orleans airport discovered that, in this most extraordinary of cities, it was cheaper for the three of us to take a stretch limo to our hotel than to travel by airport shuttle or taxi. Well, it would've been rude not to seize such an opportunity, so we made our entrance in suitably surreal fashion.

I'd arrived in good time, so there was a chance to pack in some sightseeing before the convention began. I revisited the fabulous French Quarter, visited the cathedral (photo at the end of this post) and also, on the recommendation of several friends, toured the Audobon Aquarium, which is really impressive (sharks, piranhas, jellyfish et al - see below photos), before dining with Peter Rozovsky, of the Detectives Beyond Borders blog, my moderator for a panel first thing on Thursday morning. Then followed a fun party away from the convention centre, hosted by Kristopher Zgorski of BOLO Books. And, thank goodness, I managed not to oversleep and miss my panel.

Even at 9 am, there was a packed audience. Fellow panellists included Gary Phillips, and we were delighted to see the legendary Walter Mosley in the audience. Our subject was pulp fiction, but Peter was happy for me to talk about the magazine stories of that great British writer Michael Gilbert. About 1900 people were registered for the convention, and it was good to spend time with a number of old friends before the opening ceremonies, when the Macavity award was announced: here's a shot Ali took of me with fellow nominee from Norway, Jorn Lier Horst, and Mike.

The rest of the convention passed in a happy whirl, which included breakfast with super-fans Bill and Toby Gottfried, dinner with Janet Hutchings of Ellery Queen's Mystery Magazine (just celebrating its 70th birthday) and guests including Hilary Davidson, Laura Benedict, and Charlaine Harris - see the photo below. Other highlights included coffee with Shelly Dickson Carr (grand-daughter of the locked room king John), lunch with Shawn Reilly Simmons, now a crime anthologist as well as a rising star novelist, the Anthony Awards, for which I was shortlisted in a nonfiction category won by Val McDermid, and dinner with Steve Steinbock of EQMM, author and actor Kathryn Leigh Scott, and John Pugmire of Locked Room International. John has involved me in an exciting new publication, of which more news in due course.

I moderated a second panel, on Golden Age mysteries, first thing on Saturday morning. Even in a large room, it was standing room only, a sure sign of the enthusiasm for GA fiction - especially given the competing attractions of the city and various other panels running at the same time. Cathy Ace, Ragnar Jonasson, Charlaine Harris, Claire Booth, and G.M. Malliet provided the audience with pithy and witty insights into the subject, and the only sad thing was that we couldn't go on for another hour. Thanks to Art Scott, whose The Art of Robert McGinnis I've just started reading, for this photo: from left to right - Ragnar, Charlaine, Gin, Claire, Cathy, and me.

There was more, much more, that one could say about such an exciting few days, but suffice to say that, if you're a crime fan who has not, so far, attended a major crime convention, then I think it's almost certain that you'd enjoy yourself hugely if you did so. And fellow convention-goers will, I'm sure, agree that the benefits of attending are cumulative - the more you do, the more you get out of them. It's now 26 years since I first attended a Bouchercon, at London in 1990, before I was even a published crime writer. A lot of water has flowed under the bridge since then, but I'm profoundly glad to belong to such a generous and giving community.  .

Bodies from the Library

I'm back home - briefly -after an exhilarating trip to London for the second Bodies from the Library conference at the British Library. This was a highly successful event, one in which I was delighted to take part, and during the afternoon coffee break one of the attendees made things even more memorable by kindly telling me that she'd just heard that The Golden Age of Murder has been shortlisted for the Macavity award from Mystery Readers International. Not so long ago, if you'd told me that a book of mine would win three awards and be listed for three more, I'd have thought you were pulling my leg in a rather cruel way. But yes, it has actually happened...

Less of a surprise were two announcements about personal projects of mine which I'm very excited about. For one day only, copies of the new edition of Anthony Berkeley's The Poisoned Chocolates Case, a title in the British Library's Crime Classics series, were on sale - official publication is in October. And this edition contains not only an intro that I've written, but more importantly, a seventh solution (in addition to the six solutions Berkeley came up with) by Christianna Brand, first published in the US in the 70s. And there is a brand new solution written by me. This is a project that was, for me, enormous fun, and a large number of copies of the book were sold on the day. More about this one in October...

During my conversation with Rob Davies of the British Library, we also announced that next year will see the publication of my new non-fiction book The Story of Classic Crime in 100 Books. This book has occupied a good deal of my time over the past 18 months, and I recently finished work on the manuscript. It's very different from The Golden Age of Murder, even though there is an element of overlap in terms of the period covered, and I hope that crime fans will find it full of interesting - and often unexpected - material.

The first session of the day featured another book with which I'm very happy to be associated. This is The Sinking Admiral, by the Detection Club. Simon Brett, who masterminded the book, discussed it with me, and two other contributors, Janet Laurence and Stella Duffy. It was also announced that Stella has been awarded an OBE, and that she has been engaged to write a completion of an unfinished Ngaio Marsh novel: something to look forward to. As for The Sinking Admiral, it sold out by mid-morning.

Tony Medawar talked about Anthony Berkeley, while Len Tyler and Susan Moody championed Philip MacDonald and Georgette Heyer, and Barry Pike discussed the work of H.C. Bailey. Dolores Gordon-Smith focused on G.K. Chesterton, while Jennifer Henderson, biographer of Josephiine Tey, talked about Tey as a Scottish writer. John Curran discussed the Collins Crime Club - and his book on the subject is another that will be eagerly anticipated. Finally there was a group panel in which we picked favourite screen adaptations of Golden Age novels.

Dinners on the Friday and Saturday evenings provided plenty of opportunities for socialising, and I was delighted to meet Taku Ashibe, from the Honkaku Mystery Writers' Club of Japan, (modelled on the Detection Club) who presented me with several books, including one of his own. Saturday itself was extremely hectic, and although I had the chance to chat to a number of attendees, there simply wasn't time for as many conversations as I'd have liked. But you can't have everything, and overall this was a wonderful day, full of good things, and pleasant people. What more could you want?

The photo at the top of this post appears on an account of the day on Puzzle Doctor's splendid blog, In Search of the Classic Mystery Novel. Further perspectives on the day may be found on the similaly enjoyable Past Offences blog and Cross Examining Crime.
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